Feature documentary about legendary oceanographer, marine biologist, environmentalist and National Geographic Explorer-in-Residence Sylvia Earle, and her campaign to create a global network of protected marine sanctuaries
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A martial arts instructor working at a police academy gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous “regulator”, to hunt down the horse thieves; one at a time.
Johnny Scardino is working for blackmailers, photographing wealthy guys in seedy motels. One such assignment turns the wrong way and blackmailers die one by one. Is Johnny the next on the list?
After an alcohol induced blacked-out night of drinking, Teddy discovers he has severely beaten his wife, Molly. As he attempts to redeem himself to her she must decide whether or not she will take him back as her mother, Angela, continuously expresses her disapproval, all the while her brother, Gordon, falls in way over his head as he tries to hire an ex-con, Howard, to kill Teddy.
A combination of first-person stories and exclusive aerial images, HUMAN is a unique documentary. This sensitive experience is an introspection into whom we are today as a community but also and most importantly as an individual. Through wars, inequalities, discriminations, HUMAN confronts us with the realities and the diversity of our human conditions. Beyond this darker side, testimonies show the empathy and the solidarities which we are capable of. All these contradictions are ours and HUMAN leads us to reflect about the future we wish to give to people and the planet today. Filmed in 60 countries during two years, HUMAN by Yann Arthus-Bertrand draws a portrait of nowaday’s Humanity.
Pan Xiao, a young lawyer, goes to a rural small village settled in the western desert lands of China to handle the case of a falcon poacher who has ran over a policeman. Pan wins the case through sophisticated reasoning and forces the poacher to give him his car as a reward. Then, he just drives back home, but the return will not be an easy one.
In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.
Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.
Director Julian Schnabel illustrates the portrait of his friend, the first African-American pop artist Jean-Michel Basquiat who unfortunately died at a young age and just as he was beginning to make a name for himself in the art world. Alongside the biography of Basquiat are the artists and the art scene from early 1980’s New York.
Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner’s doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.
A divorced playwright and his therapist ex deal with new relationships and their daughter.
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