The Godfather of electronic music is on a one-way trip to crack America, returning to the studio for the first time in nearly a decade. Android is a celebration of a music-making pioneer and the love story that helped him turn his life around.

haveababy is a profile of patients of a Las Vegas fertility clinic. Each year, the clinic hosts a YouTube-based competition called “I Believe,” which gives one lucky couple a shot at an in vitro fertilization treatment they could not otherwise afford. Hundreds of couples apply, yet there can be only one winner.

Cookbook author and environmental activist Diana Kennedy reflects on an unconventional life spent mastering Mexican cuisine.

Second movie sequel of Wake Up, Girls!, directly follows The Shadow of Youth.

Welcome to the captivating world of urban exploration, an international subculture of fearless thrill-seekers who lurk beneath city streets and trespass into long-abandoned buildings, defiantly searching for unseen treasures of modern civilization. Documentary filmmaker Melody Gilbert follows Max Action, Slim Jim, Katwoman and Turobzutek as they infiltrate aging lunatic asylums, government sites, faded tourist attractions, sewers, drains, and even the forbidden Catacombs in Paris. Many explore armed with only a camera, often snapping astonishingly beautiful photos.

This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band

Internationally known graffiti artist, Banksy, left his mark on San Francisco in April 2010. Little did he know that this act of vandalism would spark a chain of events that includes one of his rats being removed from a wall, Museums ignorantly turning down a free Banksy street work, and a NY gallerist who has made it his business model to remove Banksy street works from all over the globe doing whatever it takes to get the rat in his possession.

The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.

A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.

An offbeat, irreverent musical documentary that tells the story of a group of Jewish songwriters, including Irving Berlin, Mel Tormé, Jay Livingston, Ray Evans, Gloria Shayne Baker and Johnny Marks, who wrote the soundtrack to Christianity’s most musical holiday. It’s an amazing tale of immigrant outsiders who became irreplaceable players in pop culture’s mainstream – a generation of songwriters who found in Christmas the perfect holiday in which to imagine a better world, and for at least one day a year, make us believe.

Echo is a youngster who can’t quite decide if it’s time to grow up and take on new responsibilities-or give in to her silly side and just have fun. Dolphin society is tricky, and the coral reef that Echo and his family call home depends on all of its inhabitants to keep it healthy. But Echo has a tough time resisting the many adventures the ocean has to offer.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.