Thom Payne is a 44 year-old man whose world is thrown into disarray when his 25 year-old “wunderkind” boss arrives, saying things like “digital,” “social” and “viral.” Is he in need of a “rebranding,” or does he just have a “low joy ceiling?” Maybe pursuing happiness is a fool’s errand? Happiness after all is pretty high bar. In a world as absurd as ours, maybe the best anyone can hope for is happyish.

Comedy about the life and times of William Shakespeare as he starts to make a name for himself in London, whilst also trying to balance life as a husband and father for his family in Stratford-upon-Avon.

This 1970s period dramedy inspired by the real life Kyle Richards and set amid the sexual revolution and the rise of second-wave feminism follows Bonnie, an unconventional mother struggling to raise her two daughters after leaving her husband. With the help of her two best friends, Kathleen and Diana, these three women will each discover their own brand of independence in a world reluctant to give it.

In a working-class neighborhood outside Los Angeles, Mike and Peggy raise eight boisterous boys. There are 10 people, three bedrooms, one bathroom and everyone in it for themselves.

Tales from the Crypt, sometimes titled HBO’s Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989 to July 19, 1996 on the premium cable channel HBO for seven seasons with a total of 93 episodes. The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the four other EC Comics of the time. The show was produced by HBO with uncredited association by The Geffen Film Company and Warner Bros. Television. The series is not to be confused with the 1972 film by the same name or Tales from the Darkside, another similarly themed horror anthology series.

Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices as a result, HBO allowed the series to contain graphic violence as well as other content that had not appeared in most television series up to that time, such as profanity, gore, nudity and sexual situations, which could give the series a TV-MA rating for today’s standards. The show is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters.

Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking beer and not being able to get dates. To make a few extra bucks he has a micro-brewery going in his garage with his buddies.

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Local police officer Sergeant PJ Collins is a gentle man who hides from people and fills his days with comfort food and half-hearted police work. He is one of life’s outsiders, lovable, but lonely and a bit rubbish at his job. When the body of long-lost local legend Tommy Burke is discovered, PJ is called to solve a serious crime for the first time in his career. Unearthing long buried secrets, PJ finally connects with the village he has tried so hard to avoid.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.

After their plane crashes into the Amazon River, each member of the Powell family starts to show signs of new, unique and distinct super powers.

A critical and often humorous look at the upper class, tracking the protagonist’s harrowing odyssey from a deeply traumatic childhood through adult substance abuse and, ultimately, toward recovery.

Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Erhmantraut. The series will track Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer”.