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A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Taped at Washington D.C.’s Sidney Harmon Hall, “Whitney Cummings: Money Shot” features Cummings commenting on male strippers, fake boobs and getting spanked in the bedroom, among other things, in this hilarious performance. It’s not every day a funny lady reveals the best way to punish a boyfriend, what it’s really like to date a vampire, the similarities between The Food Network and porn and the “emotional ninja” tactics all women have at their disposal!

As most of the world moves forward toward gay equality, Russia is seemingly heading backward. Antigay sentiment and legislation are spreading rapidly throughout the country. In 2013, the Russian parliament passed a ban on so-called ‘gay propaganda’ that effectively makes nearly any public discussion of gay equality a crime. It is my hope that this documentary will educate viewers to their reality.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

A documentary about Peanuts and its creator, Charles M. Schulz. Famous fans—including Drew Barrymore, Kevin Smith, and Al Roker—share its influence on them, and a new animated story finds Charlie Brown on a quest.

An exploration of the history, artistry and emotional power of cinema sound, as revealed by legendary sound designers and visionary directors, via interviews, clips from movies, and a look at their actual process of creation and discovery.

Splinters is the first feature-length documentary film about the evolution of indigenous surfing in the developing nation of Papua New Guinea. In the 1980s an intrepid Australian pilot left behind a surfboard in the seaside village of Vanimo. Twenty years on, surfing is not only a pillar of village life but also a means to prestige. With no access to economic or educational advancement, let alone running water and power, village life is hermetic. A spot on the Papua New Guinea national surfing team is the way to see the wider world; the only way.

From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man.

Learn about the 1921 Tulsa Race Massacre, on the one hundredth anniversary of the crime, and how the community of Tulsa is coming to terms with its past, present, and future.

The LEAP Movie tells the story of a one year experiment seeking to discover whether coaching can help ordinary people achieve extraordinary things. Four participants will be pushed to their limit as they seek to transform their lives with the help of an elite team of coaches.

From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim’s extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature – and indeed our own – is comic, revealing and profoundly unsettling.