Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.

It is an adaptation of the Charles Dickens classic A Christmas Carol, featuring Scrooge McDuck as his namesake and inspiration Ebenezer Scrooge and Mickey Mouse as Bob Cratchit. This film was based on a 1972 audio musical entitled Disney’s A Christmas Carol. It is a twenty-four minute animated short film produced by Walt Disney Productions as an accompaniment to a re-release of The Rescuers.

Bigfoot checks into Hotel Transylvania to get some sleep but keeps getting disturbed by a zealous witch maid.

Duncan Mayor decides the perfect Christmas present for his beloved wife, Suzy, is a ride on a real Ferris wheel, set up in their very own back yard. As a young man, it was the perfect place for a wedding proposal. Now, years later, in order to relive the experience with his wife, Duncan will go to any length to make their fantasy become a reality.

Mansoor, a reserved and reticent Pithoo (porter), helps pilgrims make an arduous journey upwards to the temple town. His world turns around when he meets the beautiful and rebellious Mukku who draws him into a whirlwind of intense love.

Lucky (Eijaz Khan) loves ‘modern’ Kammo (Shradha Das) but ends up marrying the girl-next-door Lakshmi (Kulraj Randhawa). An accident leads him to believe that his wife is dead. Instead of mourning her death, he falls into Kammo’s arms. Turns out, he’s not that lucky.

Two amateur Ufologists investigate a woman’s claim that aliens are watching her. This is that footage, compiled and released by The Civilian Department of Ufology, a privately owned UFO research and investigation organization.

Ditsy damsels in distress, toilet paper famine, inept world leaders, mass-media gone wild, a virus from Hell and hordes of ghouls hungry for human flesh combine in Full Moon’s maniacal horror comedy hybrid CORONA ZOMBIES!

When a mysterious cyber-attack cripples civilization, a group of old college friends and lovers retreat to a remote country cabin, where they must cope with an uncertain future while navigating the minefield of their shared past.

Dorante, an impoverished young man, is taken on as a secretary by Araminte, a rich widow with whom he is secretly in love. The valet Dubois does all he can to get Araminte to fall in love with Dorante. Following his staging of Marivaux’s comedy at the Odéon theater, Luc Bondy turns the whole theater building into a film studio, placing his actors in the foyer, under the stage, in the kitchens, using the most unusual and unexpected spots to invent a new dynamic between theater and film.

Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…

An embittered husband, paralyzed and in a wheelchair, buttonholes a complete stranger and begins to tell him the story of his marriage. The stranger would like to escape, but cannot. For one thing he grows fascinated by the story. For another he is mesmerized by the man’s wife, who has perfected that trick of looking a man boldly in the eye until, by looking away, he concedes sexual supremacy.