In the pantheon of predators, it’s one of the greatest discoveries since the T-Rex: a snake 48 feet long, weighing in at 2,500 pounds. Uncovered from a treasure trove of fossils in a Colombian coal mine, this serpent is revealing a lost world of giant creatures. Travel back to the period following the extinction of dinosaurs and encounter this monster predator.

A dark and sensuous film from a landfill in Ghana, where electronic waste from the West is being recycled. An unforgettable experience, told by the workers themselves.

“Chile On Hell” was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax – Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax’s entire catalogue – all the fan-favorites including “I Am The Law,” “Indians,” “Madhouse,” “Caught In A Mosh,” “The Devil You Know,” and “I’m Alive.” “Santiago was the perfect place to film the show for this,” said Anthrax’s Charlie Benante. “When we’d played there in the past, we’d finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn’t stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn’t we want to film a DVD in front of an audience like that?

In 2018 a string of tragedies unfold in the high desert of North Eastern Nevada. A woman was found dead and another would vanish along the same stretch of remote highway. Could these events be linked to the infamous 2017 disappearance of outdoorsman Gary Hinge?

Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.

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Zarna Garg’s taking the comedy world by storm with her first streaming stand-up special. As an unapologetic, Indian-Immigrant mom, she has plenty to joke about, and the punch lines come fast and furious.

Pierre-Auguste Renoir is known and loved for his impressionist paintings of Paris. These paintings count among the world’s favourites. Renoir, however, grew tired of this style and changed course. This film, based on the collection of 181 Renoirs at the Barnes Foundation in Philadelphia,– examines the direction he then took and why it provokes such extreme reactions right up to today. Some claim they are repulsed by Renoir’s later works and some claim they are seduced. What may surprise many is that among the many artists who sought Renoir’s new works out and were clearly highly influenced by them were the two giants of the 20th century – Picasso and Matisse.

With his signature circular glasses and mustache, Michael Chow is an exuberant force at the crossroads between eccentricity and sophistication. The famed restaurateur defined “The Moment” with the openings of Mr. Chow, the bustling upscale Chinese eateries that attracted the glitterati of Swingin’ London, 70s Hollywood, and post Studio 54 New York.

Kevin Spacey, Sam Mendes and the Bridge Project Company go on the road in NOW: in the Wings on a World Stage. In over 200 performances, and across 3 continents, Kevin and the troupe reveal some of the most intimate moments behind the scenes of their staging of Shakespeare’s classic tragedy, “Richard III.” Their story and experiences weave around, and reflect on, excerpts from the play from their various locations, from Epidaurus to Doha, and provides a great opportunity for those who have never experienced Spacey on stage to witness his immerse and captivating interpretation of Richard III. NOW chronicles the first collaboration between Spacey and Mendes since both won Academy Awards® for their work on American Beauty.

Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.