Wiley Roth finds a severed human finger in his kitchen one night. Understandably freaked out, in a search across Los Angeles that brings them in contact with psychics, ineffectual police, crooked taxidermists, mysterious neighbors who might be on drugs, and a nine-fingered woman named Cheryl who might, improbably, end up being the girl of his dreams.

Leslie is left with few options when her husband is sent back to war in the Middle East. A modest amount of help arrives in the form of his brother, Salman, who is less than prepared to care for the couple’s two preadolescent boys. When Leslie still can’t make ends meet on her own, Salman is forced to find employment, but, with minimal qualifications, his only option is to become a mascot for a digital company by donning a bulbous blue costume.

Filmed live at the Edinburgh Playhouse Lee Evans, star of Mousehunt and Something About Mary, returns to the stage.

A woman moves into a retirement community and starts a cheerleading squad with her fellow residents.

Astronaut Scorch Supernova finds himself caught in a trap when he responds to an SOS from a notoriously dangerous alien planet.

Two rednecks rob a wedding train.

A disgraced soccer star seeks redemption but is exploited by a variety of causes hoping to capitalize on his celebrity.

A group of people stop by a mansion during a storm and discover two magical toy makers, and their haunted collection of dolls.

Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they’ve got jobs they don’t want and wives who don’t want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it’s all too late. Mix in a dollop of The Inbetweeners’ intellectual wit, add a pinch of bromancing from The World’s End, and then stir in a few ladles of The Hangover’s vomit and you’ve got Destination: Dewsbury, destined to be one of 2018’s funniest releases.

Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…

Kathleen Turner stars as suburban mother and devout Catholic Eileen Cleary, who has always kept up appearances. When she runs for the Catholic Woman of the Year title at her local parish, her final test is introducing her family to the board for the seal of approval. Now she must finally face the nonconformist family she has been glossing over for years…

Kellie Martin plays an accountant who submits a reply to a “dear viola” letter to the editor that she works for, as an accountant. She has a real knack for writing to people and getting to the heart of the matter, and soon the whole town is involved in the romantics.