The charismatic Sir Lionel Frost considers himself to be the world’s foremost investigator of myths and monsters. Trouble is, none of his small-minded, high-society peers seems to recognize this. Hoping to finally gain acceptance from these fellow adventurers, Sir Lionel travels to the Pacific Northwest to prove the existence of a legendary creature known as the missing link.
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Six men, one woman (and her brother) come together with one goal – to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
The parents of a soon-to-be married couple make the final preparations for the wedding ceremony.
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Ushi Hirosaki has to marry according to Japanese tradition before her 30th birthday. Because time is running out, her family decides she has to marry a huge sumo wrestler. A rather unfortunate combination, so Ushi wants to look for a nicer candidate herself. She travels halfway around the world to find her dream husband. Along the way she does valiant efforts, for example to learn table manners and to lose her Japanese accent.
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