After the alleged suicide of her priest brother, Grace travels to the remote Scottish convent where he fell to his death. Distrusting the Church’s account, she uncovers murder, sacrilege and a disturbing truth about herself.

A 1967 film based on Truman Capote’s book of the same name. After a botched robbery results in the brutal murder of a rural family, two drifters elude police, in the end coming to terms with their own mortality and the repercussions of their vile atrocity.

A biographical portrait of a pre-fame Jane Austen and her romance with a young Irishman.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Željko, their informal leader, and struggling to keep his repressed secret in the dark.

An intensely sad film about two brothers who cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.

Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.

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After a bad breakup with his girlfriend leaves him heartbroken, Carter Webb moves to Michigan to take care of his ailing grandmother. Once there, he gets mixed up in the lives of the mother and daughters who live across the street.

Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys’ home known as The Island. Juhani (Niilo Syvaoja) has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula (Tommi Korpela) can truly be.

Blaming herself for her son’s accidental death, a young wife risks redemption at the hands of an otherworldly intruder who appears in her home during a night of apocalyptic events and somehow knows every detail of her guilt-ridden past.

It’s 1984 and outside a small-town nightclub, a group of 8th graders gather, grappling with a spate of recent suicides, UFO sightings, their absentee parents, and each other.