A group of carpet fitters are sent on a job to an old Country house in the middle of nowhere. However they soon discover it’s a trap set up by the savage, cannibalistic family, The Hannings. The carpet fitters are forced to fight for their lives or risk ending up being the evenings dinner. Unfortunately they are not quite your typical heroes!

Pete is a good guy who used to be cool. Once living his dream in the music industry, he now toils away in the pricing department of a failing supermarket chain to provide for his loving wife and young son. When Pete’s new boss, Susan, takes over the department, her high-energy enthusiasm and unconventional ideas start to shake things up. She aims to reinvent the company while grooming Pete for the executive fast track. Making more money now than he ever hoped to in the music industry, Pete begins to wonder if this new career is just what he needs to become the man he’s always wanted to be.

An “Airplane!”-style spoof of hospital soap operas: a brilliant young trainee can’t stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there’s a mafioso on the loose disguised as a woman – in other words all the usual ingredients present and correct, though in this case the laughs are intentional.

College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.

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Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia’s fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

On a trip to her hometown, workaholic Ally reminisces with her first love Sean, and starts to question everything about the person she’s become. Things only get more confusing when she meets Sean’s fiancé, Cassidy, who reminds her of the person she used to be.

A group of former military elites set out to explore an uncharted abyss, not knowing their worst nightmare is waiting for them deep beneath the ground.

Set on an island off the coast, a techno rave party attracts a diverse group of college coeds and a Coast Guard officer. Soon, they discover that their X-laced escapades are to be interrupted by zombies and monsters that attack them on the ground, from the air, and in the sea, ruled by an evil entity in the House of the Dead… Prequel to the House of the Dead video games.

A trio of friends scheme to find a wife for their socially inappropriate friend Barry, and end up finding a girl just like him.

Aidan Bloom, a struggling actor, father and husband, is 35 years old and still trying to find a purpose for his life. He and his wife are barely getting by financially and Aidan passes his time by fantasizing about being the great futuristic Space-Knight he’d always dreamed he’d be as a little kid. When his ailing father can no longer afford to pay for private school for his two kids and the only available public school is on its last legs, Aidan reluctantly agrees to attempt to home-school them. Through teaching them about life his way, Aidan gradually discovers some of the parts of himself he couldn’t find.