Andreas Dresen’s adaptation of Clemens Meyer’s novel about a group of East German friends right after the fall of the Wall.

A pair of men try to perform the dangerous “triple” in their trapeze act. Problems arise when the duo is made into a trio following the addition of a sexy female performer.

Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.

Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in 70’s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

Fixated on romantic fantasies, a kindly and strong-willed young woman with a mild mental disability embarks on a relationship — much to the concern of her protective mother.

The wedding of their youngest sister, Janet, brings Gwen and Kay home to St. John’s, Newfoundland. While Janet struggles to hide her family’s dysfunction, Kay can’t help but create chaos wherever she goes and Gwen finds herself paralyzed by a past secret. The complicated web of relationships between the sisters, their Aunt Maureen, their absent mother, and Kay’s young daughter Billie, is only illuminated by the wedding. Gwen’s attempts to get Kay to take responsibility for her daughter highlights her own abandonment of her ex, Tom, leading them all to a not-so-perfect storm of a reception.

A married woman loses her memory after a train accident. As her memory starts to return, she thinks she might have had an affair with a missing man.

Faust is a 2011 Russian film directed by Alexander Sokurov. Set in the 19th century, it is a free interpretation of the Faust legend and its literary adaptations by Johann Wolfgang von Goethe and Thomas Mann. The dialogue is in German. The film won the Golden Lion at the 68th Venice International Film Festival.

Striving to be independent, the blind but determined Don Baker (Edward Albert) moves away from his overprotective mother (Eileen Heckart, who won an Oscar). After settling into his new San Francisco digs, Don meets kooky neighbor Jill Tanner (Goldie Hawn). Don’s quick wit and good looks disarm the free-spirited Jill, and before long they’re more than just friends. Will Mrs. Baker’s incessant meddling destroy Don and Jill’s budding relationship?

A woman has disappeared. The day after a snowstorm, her car is found on a road leading to a plateau with with nothing but a few scattered farms. The gendarmes have nothing to go on, while five individuals well know they have something to do with the woman’s disappearance. They all keep their secrets to themselves, but no one suspects that the whole story began far from these windswept wintry peaks: on another continent, in the burning sun, where poverty doesn’t stop desire from taking the law into its own hands.

A young woman returns to her birthplace after her father’s death and unearths distant memories and long-buried secrets that change everything she thought she knew about her family, past and herself.