In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it’s up to teenagers in 1994 to finally put an end to their town’s curse, before it’s too late.
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Agents of an oil tycoon vanish while exploring a swamp marked for drilling. The local sheriff investigates and faces a Seminole legend come to life: Man-Thing, a shambling swamp-monster whose touch burns those who feel fear.
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A psychologist who begins working with a young boy who has suffered a near-fatal fall finds himself drawn into a mystery that tests the boundaries of fantasy and reality.
The villains from the popular animated Disney films are gathered at the House of Mouse with plans to take over. Soon, the villains take over the house and kick out Mickey, Donald and Goofy. It’s all up to Mickey and his friends to overthrow evil and return the House of Mouse to normal–or as close to normal as it get’s.
When Virginia and her husband Jack spend a long weekend in the idyllic countryside, they encounter a creature that tears their lives apart. While the attack has an effect on each of them, it brings out the worst in Jack.
After her daughter’s death, divorced Miyabi works as a call girl. One day, she meets a weird customer who wants to take a picture of her spine. Then, at another assignation, her feet. She soon realises that every time she allows her body to be photographed, her daughter’s spirit gets closer. Soon only her eyes remain to be captured, leading to the collapse of society in this bold, visionary and unique fantasy
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
The vampires are back in town but this time there’s a new brood. Chisel-jawed Jon Euler steams up the screen as brood leader Jasin in this hot sequel to the wildly popular original. This time his vengeful ex-lover Demetrius (ripped dreamboat Rob Hoflund) is out to get Jasin and brings along his coven to boot. Jasin and Caleb’s eternal love is put to the test when Jasin’s jilted lover Demetrius returns to get this revenge. Demetrius plots to destroy Jasin by creating an army of vampires — unwilling victims recruited from the local boxing gym. Tara, reeling from her own rejection by Jasin, is eventually compelled by Demetrius to join him in his quest.
A basic white girl finds herself in the middle of the zombie apocalypse, forcing her to decide what is more important, survival or Starbucks? When she meets a group of survivors with conflicting personalities, tempers fly. In the apocalypse, humans pose more of a threat than the undead.
Madeline is married to Ernest, who was once arch-rival Helen’s fiance. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.
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