A woman walks into a New York gallery with a cache of unknown masterworks. Thus begins a story of art world greed, willfulness and a high-stakes con.

A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification program for teens, where she discovers shocking secrets and young students that change her life.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

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For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world’s largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) – one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.

In unusual circumstances, scientists from different countries work together to achieve a common scientific goal. Locked in their spinning space lab, they are isolated from the world — family and friends – and can only watch from the outside as life on Earth continues without them. The space station is a monument not only to the weaknesses of humanity, but also to its ability to do the impossible for the sake of life in space.

The sensational expose of the complicity of Britain, USA and Australia in the continuing genocide in East Timor.

Jackass 3.5 is a 2011 sequel to Jackass 3D, composed of unused footage shot during the filming of Jackass 3D and interviews from cast and crew

Twenty years ago, a young American hiker named Chris McCandless, the accomplished son of successful middle class parents, was found dead in an abandoned bus in the Alaskan wilderness and became the subject of the best-selling book and movie “Into the Wild.” Now, PBS retraces Chris McCandless’ steps to try to piece together why he severed all ties with his past, burnt or gave away all his money, changed his name and headed into the Denali Wilderness. McCandless’ own letters, released for the first time, as well as new and surprising interviews, probe the mystery that still lies at the heart of a story that has become part of the American literary canon and compels so many to this day.

Over fifty very famous American and Canadian funny people (filmmakers, writers, actors and comedians) share life and professional journeys and insights, in an effort to shed light on the thesis: Do you have to be miserable to be funny?

Lying on the remote north west coast of England is one of the most secret places in the country – Sellafield, the most controversial nuclear facility in Britain. Now, Sellafield are letting nuclear physicist Professor Jim Al-Khalili and the television cameras in to discover the real story. Inside, Jim encounters some of the most dangerous substances on earth, reveals the nature of radiation and even attempts to split the atom. He sees inside a nuclear reactor, glimpses one of the rarest elements in the world – radioactive plutonium – and even subjects living tissue to deadly radiation. Ultimately, the film reveals Britain’s attempts – past, present and future – to harness the almost limitless power of the atom.

No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater