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10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

A look at how the community of Newtown, Connecticut came together in the aftermath of the largest mass shooting of schoolchildren in American history.

White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.

Follows life of Malika, a lioness in South Africa’s Kruger National Park as she battles to survive.

Under the shadow of Mount Kenya, young Maasai Warriors have remarkably formed a cricket team. In a community deep with tradition, where female genital mutilation (FGM) is still a rite of passage, these young Maasai express their frustrations at inequality by smacking cricket balls on the plains of Kenya and dreaming of life beyond their own village. Thus begins a journey all the way to England; the home of cricket. It is a journey which gives the Warriors the courage to face their elders in the hope of ending FGM.

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In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d’Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.

Two time Rugby World Cup winner, three-time international rugby player of the year, all-time international leading points scorer, winner of franchise rugby competitions in three continents, BBC Sports Personality of the Year, (underwear model?) – All Blacks legend Dan Carter is the biggest superstar in rugby history. Pitch Productions presents the story of Carter’s remarkable career and his quest to overcome the heartbreak of past tournaments to achieve glory in the 2015 Rugby World Cup. Interviews with Richie McCaw, Jonny Wilkinson, Beauden Barrett, Carter’s family and many more, provide an intimate insight into Carter the man and his journey from rural New Zealand to becoming the greatest number 10 of all time.

Curtis Duffy, a teen who fought and stole for the thrill, discovered his place in the kitchen after a home economics teacher nurtured his talents. After an unimaginable tragedy involving his parents, Duffy doubled down on his cooking career. Soon, his intense drive earned him accolades as one of the country’s most renowned chefs. But as he began building his dream restaurant in Chicago, called Grace, Duffy found himself in another point of personal crisis: His laser focus cost him his marriage and two young daughters. For Grace is a documentary about food, family, sacrifice, and the journey from concrete box to opening night of one of the world’s most acclaimed restaurants.

Can the Holy Spirit direct a movie? In this emotional follow up to the popular and controversial Holy Ghost, Director Darren Wilson continues his journey around the world in his quest to make a movie that is completely led by the Holy Spirit.

Rocky IV is dually symbolic – it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.