The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.

After faking his own death, a former CIA contractor develops a relationship with a foreign prostitute while awaiting the delivery of his new identity.

Playing opposite the director’s own wife and daughter, Willem Dafoe is a Ferrara-like American artist living in Rome in this improvised drama of doubt and disconnection, shot in self-reflective documentary style.

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

A journalist goes undercover to ferret out businessman Harrison Hill as her best friend’s killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.

In the early 2000s, two brothers found tremendous success when their company began selling a device that has been called ‘the biggest revolution in law enforcement since the radio.’ But as their company grew, they made decisions that would have lasting impact on both the public and their increasingly skeptical customer base.

A dog that helped soldiers in Afghanistan returns to the U.S. and is adopted by his handler’s family after suffering a traumatic experience.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

Though a childhood bout with polio left him dependent on an iron lung, Mark O’Brien (John Hawkes) maintains a career as a journalist and poet. A writing assignment dealing with sex and the disabled piques Mark’s curiosity, and he decides to investigate the possibility of experiencing sex himself. When his overtures toward a caregiver scare her away, he books an appointment with sex surrogate Cheryl Green (Helen Hunt) to lose his virginity.

Grief-stricken after the loss of her child, Vanessa takes refuge at a lake house only to be met with an aberration of herself from a parallel universe and realizes the multiverse gates hold the key to releasing her grief or trapping her forever.

Two codependent roommates, on the verge of eviction, flee New York for the promise of sunshine in Los Angeles where their friendship is tested by a chance at fame, a fortune teller and an amorous wealthy aunt.