The pit has spoken. Dawai, the potter of a backwoods community, has crafted a face on a ceramic jug of the person that the pit wants sacrificed. Ada, pregnant with her brother’s child, has seen her face on the jug and hides it in the woods, determined to save the life of her unborn. If she does not sacrifice herself however, the creature from the pit will kill everyone in the village until she does.

This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.

A mild-mannered father is transformed into a killing machine after his family is torn apart by a violent act.

After a family moves into an old Victorian home, they discover a chest in the attic containing antiques tainted by a malevolent spirit. As the antiques slowly possess each family member, the spirit grows stronger, hellbent on kidnapping the children.

Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.

The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.

Inspired by a real event , Clash takes place almost entirely in a riot van during a demonstration in Cairo after the removal of President Morsi in 2013.

When cattle mysteriously start dying of anthrax in a small Alberta ranching community, an RCMP officer tries to keep the peace as ranchers lay the blame on a local agricultural research center. A reporter encourages the angry ranchers – led by the Mountie’s mother-in-law – to stage a sit-in at the research center. When an eccentric old rancher dies after being exposed to a deadly strain of anthrax, the protesters are quarantined. No one notices that the reporter has disappeared – along with several vials of the deadly bacteria. The RCMP officer begins his own investigation, gleaning information from a U.S. government agent. He finds himself racing against time to recover the stolen anthrax.

When an accidental death takes the life of a young boy, the family moves to a country home for a fresh start, only to discover there is something much worse than than their memories and guilt living in the attic.

Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can’t stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have no alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret.

In a twisted social experiment, a group of 80 Americans are locked in their high-rise corporate office in Bogotá, Colombia and ordered by an unknown voice coming from the company’s intercom system to participate in a deadly game of kill or be killed.

Sequel to the 2009 mezzo-mezzo supernatural horror purporting to be based on a true story in which a cancer-afflicted teen starts seeing things in the new Victorian house he and his family moved into.