After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.

Filmmaker Luigi Acquisto and two young sisters help former Australian police and Special Forces officers rescue children from Filipino sex bars, and investigate the man who allegedly abused their younger sister.

Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan—with help from a bail bondsman—to keep the money for herself. Based on Elmore Leonard’s novel “Rum Punch”.

A paraplegic computer engineer that moves in a wheelchair and works in his basement starts hearing noises and voices of bank-robbers.

After an accident, Tom wakes from a coma to discover that fragments of his smart phone have been embedded in his head, and worse, that returning to normal teenage life is impossible because he has developed a strange set of super powers.

Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.

NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?

Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh’s colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid’s son, the philandering Sardar Khan vows to get his father’s honor back, becoming the most feared man of Wasseypur.

This remake of 1981’s Goodbye Pork Pie tracks the escapades of a trio of accidental outlaws as they travel the length of New Zealand protesting conformity and chasing lost love, with a posse of cops and a media frenzy in pursuit.

In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin’s nosing.

Ray Lovelock stars as Massimo, a young undercover cop with a taste for violence and a thirst for revenge! Massimo gets himself arrested and quickly infiltrates the ranks of the underworld figure serving a sentence. Eventually a breakout is planned and Massimo is to be included. Just about as soon as they hit the street an attempt is made on the boss’ (Martin Balsam) life. Massimo acts quickly in helping to save him and that’s the in he has been waiting for

Conflict-avoidant Thomas just wants a relaxing holiday in the Swiss Alps. But, it’s a slippery slope from the beginning. In an effort to repair his own family ties and to impress his boss, he takes his family and his employer’s daughter with him. Tragedy strikes and Thomas feels responsible. Should he be his typical passive self? Or risk doing the right thing at the expense of his relationships with his family and employer?