What starts out as a simple, reckless mid-life affair between a genetic scientist named Yvonne and a Westminster paper pusher takes an intriguing turn when she realizes he’s a spook – then suddenly gets very dark indeed. A provocative study of obsession, longing and just how far down a criminal path desire can take you.

The Cosby Show is an American television situation comedy starring Bill Cosby, which aired for eight seasons on NBC from September 20, 1984 until April 30, 1992. The show focuses on the Huxtable family, an upper middle-class African-American family living in Brooklyn, New York.

According to TV Guide, the show “was TV’s biggest hit in the 1980s, and almost single-handedly revived the sitcom genre and NBC’s ratings fortunes”. Originally, the show had been pitched to ABC, which rejected it. Entertainment Weekly stated that The Cosby Show helped to make possible a larger variety of shows based on people of African descent, from In Living Color to The Fresh Prince of Bel-Air. The Cosby Show was based on comedy routines in Cosby’s standup act, which were based on his family life. Other sitcoms, such as Home Improvement and Everybody Loves Raymond, would later follow that pattern. The show spawned the spin-off A Different World, which ran for six seasons from 1987 to 1993.

Within the walls of an interrogation room and with time running out, London investigators go after three suspects, each accused of a grievous crime.

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Contra Security is a high tech security firm that specializes in breaking in as a way to test security measures. The team members comprise various skills, and even more various personalities.

A world of true crime with an authentic Americana tone, style and attitude. Each episode brings a gripping tale of betrayal and murder, told by friends, family and neighbors. It’s stories of crime from America’s heartland.

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

Stand-up comedians Richardson and Beaumont play exaggerated versions of themselves as viewers get a glimpse into their home and work lives, surrounded by their celebrity friends and their Hebden Bridge neighbours.

John Grant is returning to Sydney after a year teaching at a one-classroom school in the Outback. Shortly after hitting the road, he collides with a kangaroo, and finds himself marooned in a small mining town, awaiting repairs on his car. With little to do but drink beer, John is seduced into a raucous, illegal game of two-up. After a short, exhilarating winning streak, he loses everything, which triggers a dangerous series of events that render John a broken and desperate man.

Diana Bishop, historian and witch, accesses Ashmole 782 and knows she must solve its mysteries. She is offered help by the enigmatic Matthew Clairmont, but he’s a vampire and witches should never trust vampires.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.

The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

Lily, the producer of a successful cooking segment on a daily morning television show, and her flatmate Simone are taking a sabbatical from men. But Lily falls in love with Jack, the show’s gorgeous new chef.