When Miss Robbie Montgomery, a 1960s backup singer and former “Ikette,” suffered a collapsed lung and had to stop singing, she decided to pour her talents into another creative venture—a soul food restaurant called Sweetie Pie’s. This docuseries follows the loud, loving and often singing Montgomery family as they work to expand their empire, one soulful dish at a time.

Toby Logan is a highly skilled paramedic with a secret – he can read minds. Toby never really knew his parents and grew up in foster care, this coupled with his secret, which he shares with no one, has made him a bit of a loner. Until now, Toby has kept his ability hidden, exploring its possibilities only with his long time mentor and confidante Dr. Ray Mercer.

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Raymond “Red” Reddington, one of the FBI’s most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he’s made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this “The Blacklist”. Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.

When Charlie Harris ends up in a coma, he leaves the Hope-Zion Hospital in chaos – and his fiancée and fellow surgeon, Alex Reid, in a state of shock. As the staff of Hope-Zion races to save lives, comatose Dr. Harris wanders the halls of Hope-Zee in “spirit” form, not sure if he’s a ghost or a figment of his own imagination.

This drama tells the story of a vampire, Park Ji-sang who works as a doctor in a hospital. Yoo Ri-ta is a hotshot heiress doctor, a star physician at the hospital and the niece of the board’s chairman. She’s snooty and cold, but highly capable, and accustomed to being the golden girl. Lee Jae-wook is their chief, an outwardly gentle, inwardly ambitious man who will prove to be their biggest adversary.

Six months after the events of Monsters, Inc., the city of Monstropolis is now fueled with the sound of laughter. Tylor Tuskmon, a mechanic on the Facilities Team, dreams of working alongside his idols Mike Wazowski and James P. ‘Sulley’ Sullivan.

Husband Kody Brown, along with his four wives (only one of which is legally married to Kody) and their combined 18 children, attempts to navigate life as a “normal” family in a society that shuns their lifestyle.

Oskyldigt dömd is a Swedish drama television series from 2008. The first season was recorded in twelve episodes during February 2008 to be aired later during the fall. It premiered on the Finnish TV channel FST5 on September 24, 2008 and later the same evening on Swedish TV4. The series is produced by Filmlance. On January 23 TV4 announced that Mikael Persbrandt would be playing the main character and on February 10 other cast members were announced; Helena af Sandeberg, Sofia Ledarp, Marie Richardson and Mirja Turestedt. TV4 also announced that they had started to work on the second season before the first had even been aired., the first season was written by Johan Zollitsch, Jan Arnald, Karin Gidfors and Hans Rosenfeldt but the second one is written by Thomas Borgström and Sara Heldt. Filming the second season took place during the spring 2009. TV4 refused to say how much money the filming has cost the channel, but they confirms that “a lot of money” has been used.

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The maiden crew of the Daedalus spacecraft must push itself to the brink of human capability in order to successfully establish the first sustainable colony on Mars. Set both in the future and in the present day, this series blends scripted elements set in the future with documentary vérité interviews with today’s best and brightest minds in modern science and innovation, illuminating how research and development is creating the space technology that will enable our first attempt at a mission to Mars.

The Mary Tyler Moore Show is an American television sitcom created by James L. Brooks and Allan Burns that aired on CBS from 1970 to 1977. The program was a television breakthrough, with the first never-married, independent career woman as the central character: “As Mary Richards, a single woman in her thirties, Moore presented a character different from other single TV women of the time. She was not widowed or divorced or seeking a man to support her.”

It has also been cited as “one of the most acclaimed television programs ever produced” in US television history. It received high praise from critics, including Emmy Awards for Outstanding Comedy Series three years in a row, and continued to be honored long after the final episode aired.