Get on the field and into the ring through a series of compelling stories at the fringe of culture and politics, across a range of places and people through the one lens that connects them all: sport.

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A journey into the experience of being a victim of a sudden crime, from the moment those attacked first perceive the danger through the potential long-lasting effects. Using surveillance and cell phone footage captured during the crime, the series follows individuals going about their daily lives who were confronted with a dangerous situation and forced to make a quick decision on how to protect themselves or their families.

The Story of Film: An Odyssey is a documentary series about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.

The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012. It was broadcast in the United States on Turner Classic Movies beginning in September 2013.

The Telegraph headlined the series’ initial broadcast in September 2011 as the “cinematic event of the year”, describing it as “visually ensnaring and intellectually lithe, it’s at once a love letter to cinema, an unmissable masterclass, and a radical rewriting of movie history.” An Irish Times writer called the program a “landmark”.

In February 2012, A. O. Scott of The New York Times contrasted the project with its “important precursor”, Jean-Luc Godard’s Histoire du cinéma. In contrast to the Godard project, which Scott called “personal, polemical and sometimes cryptic”, Scott described Cousins’ film as “a semester-long film studies survey course compressed into 15 brisk, sometimes contentious hours” that “stands as an invigorated compendium of conventional wisdom.” He also commended its “refusal to be nostalgic”.

Motor enthusiast explore the history of automobiles and custom cars.

Rose McGowan, artist and activist, documents the work being done to spread her message of “bravery, art, joy and survival.”

The macabre rituals of serial killers are examined.

An in-depth exploration of mass shootings and their devastating consequences. From the first-hand perspective of survivors, families of the victims, witnesses and heroic first responders, the series goes beyond the sensationalistic coverage of these nightmarish moments to offer a comprehensive report on these tragic events.

Jimmy’s Farm was a documentary series, in 2002, made by Fresh One Productions for BBC Two in the UK. It featured the story of Jimmy Doherty setting up the Essex Pig Company, a rare breeds piggery on the outskirts of Ipswich in Suffolk. The drama revolved around Jimmy’s previous lack of hands-on experience of farming, the financial struggles involved in starting a small business, and Jimmy’s relationships with employees, friends and his girlfriend, Michaela Furney. Doherty was a childhood friend of celebrity chef Jamie Oliver, who gave him a loan to help get the farm started, and appeared in one episode of the series. The series was followed up with a one-off special, Back on Jimmy’s Farm, and a second series, Return to Jimmy’s Farm.

A new series called Crisis on Jimmy’s Farm aired on BBC in 2007, featuring developments on the farm including the opening of Guinea Pig village, the making of Ferret Folly as well as the struggles of ensuring the extension of the lease and problems with Christmas hamper orders.

The farm itself is open all year to the public and features a café, hatchery, Piglet shed and also a nature trail.

The first series of Jimmy’s Farm was released on DVD in the UK by Revelation Films in March 2010.

In this docuseries punctuated with self-deprecating wit and lots of way-harder-than-I-thought reality checks, Jordan Klepper leaves the comfort of the studio and embeds on the front lines of America’s push for change.

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