Maverick is an American Western television series with comedic overtones created by Roy Huggins. The show ran from September 22, 1957 to July 8, 1962 on ABC and stars James Garner as Bret Maverick, an adroitly articulate cardsharp. Eight episodes into the first season, he was joined by Jack Kelly as his brother Bart, and from that point on, Garner and Kelly alternated leads from week to week, sometimes teaming up for the occasional two-brother episode. The Mavericks were poker players from Texas who traveled all over the American Old West and on Mississippi riverboats, constantly getting into and out of life-threatening trouble of one sort or another, usually involving money, women, or both. They would typically find themselves weighing a financial windfall against a moral dilemma. More often than not, their consciences trumped their wallets since both Mavericks were intensely ethical.
When Garner left the series after the third season due to a legal dispute, Roger Moore was added to the cast as their cousin Beau Maverick. Robert Colbert appeared later in the fourth season as a third Maverick brother, Brent Maverick. No more than two of the series leads ever appeared together in the same episode, and usually only one.
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Silver Spoons is an American sitcom that aired on NBC from September 25, 1982 to May 11, 1986 and in first-run syndication from September 15, 1986 to March 4, 1987. The series was produced by Embassy Television for the first four seasons, until Embassy Communications moved the series to syndication.
Silver Spoons was created by Martin Cohan, Howard Leeds and Ben Starr. The show’s title refers to family wealth and to the expression that rich children are born with “silver spoons” in their mouths—they are given only the very best and want for nothing.
There was a time when the Hachimitsu Private Academy was a revered and elite all-girls’ boarding school on the outskirts of Tokyo but a recent policy revision is allowing boys into the student body. On his first day, Kiyoshi Fujino discovers that he’s one of only five boys enrolled at the school. Completely overwhelmed by the thousands of girls on campus, the few boys find that their situation is less than ideal.
A romantic comedy about two best friends who love each other — in slightly different ways. After numerous failed attempts to become popular, the girls are mistakenly outed as lesbians, which launches them to instant celebrity status. Seduced by their newfound fame, Karma and Amy decide to keep up their romantic ruse.
What happens to a loving, rational Dad when his darling, pliable daughters morph into hormonally-challenged, incomprehensible teenagers? If he’s Paul Hennessy, he reacts in ways even he finds crazy. Thank God he has a 13-year-old son who still speaks his language.
A dysfunctional family tries to help each other navigate the modern dating scene. Recent divorcee Tara and her bachelor brother coach each other through the crazy world of dating (on-line and off), while living under the same roof again for the second time and raising her teenage daughter.
Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.
The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.
A group of East High students countdown to the opening night of their school’s first-ever production of “High School Musical.” Showmances blossom; friendships are tested while new ones are made; rivalries flare and lives are changed forever as these young people discover the transformative power that only a high school drama club can provide.