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The continuous adventures of Gumby and his pals. This time, he runs a farm which includes more pals such as a wooly mammoth, Denali, and a bee, Groobee.
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Flight attendant Cassandra Bowden wakes in her hotel room hungover from the night before in Dubai with a dead body lying next to her. Afraid to call the police, she continues her morning as if nothing happened. In New York, she is met by FBI agents who question her about her recent layover in Dubai. Still unable to piece the night together, she begins to wonder if she could be the killer.
Jonathan Ames, a young Brooklyn writer, is feeling lost. He’s just gone through a painful break-up, thanks in part to his drinking, can’t write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.
Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show’s production company, Talent Associates, to capitalize on “the two biggest things in the entertainment world today”—James Bond and Inspector Clouseau. Brooks said: “It’s an insane combination of James Bond and Mel Brooks comedy.” This is the only Mel Brooks production to feature a laugh track.
The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart’s opening title sequence at No. 2 on its list of TV’s Top 10 Credits Sequences, as selected by readers.
The adventures of woodsman Richard Cypher, who discovers that he was born to fulfill a prophecy of becoming a guardian hero to oppressed people. With the help of a mysterious woman named Kahlan and a wise old wizard named Zedd, he must stop a ruthless and bloodthirsty tyrant from unleashing an ancient evil and enslaving the world.
Greatest Party Story Ever…And Other Epic Tales showcases peoples’ most outrageous, hilarious, epic tales including everything from debauchery, drunkenness, to even celebrity encounters. The funniest, craziest, most unbelievable stories are brought to life with first-person storytelling & reenacted with their own unique style of animation.
Australian version of the comedy-variety show where children take to the stage to showcase their passion and blow you away with their talent.
Moonlighting is an American television series that aired on ABC from March 3, 1985, to May 14, 1989. The network aired a total of 66 episodes. Starring Bruce Willis and Cybill Shepherd as private detectives, the show was a mixture of drama, comedy, and romance, and was considered to be one of the first successful and influential examples of comedy-drama, or “dramedy”, emerging as a distinct television genre.
The show’s theme song was performed by jazz singer Al Jarreau and became a hit. The show is also credited with making Willis a star, while providing Shepherd with a critical success after a string of lackluster projects. In 1997, the episode “The Dream Sequence Always Rings Twice” was ranked #34 on TV Guide’s 100 Greatest Episodes of All Time. In 2007, the series was listed as one of Time magazine’s “100 Best TV Shows of All-Time.” The relationship between David and Maddie was included in TV Guide’s list of the best TV couples of all time.
Sledge Hammer! is an American satirical police sitcom produced by New World Television that ran for two seasons on ABC from 1986 to 1988. The series was created by Alan Spencer and stars David Rasche as Inspector Sledge Hammer, a preposterous caricature of the standard “cop on the edge” character. Al Jean and Mike Reiss, best known for their work on The Simpsons, wrote for the show and worked as story editors.
A chronicle of four friends during a decade in which everything changed, including the rise of AIDS.
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