After a brutal virus wipes out most of the population, two young siblings embark on a perilous search for safety. A Scandinavian thriller series.

Andy Millman gave up his day job five years ago in the hope of achieving the big time, but he’s yet to land a speaking part, let alone saunter down the red carpet to pick up an Oscar. He remains optimistic however, as rubbing shoulders with the A-list on-set only serves to reinforce his belief that the big time is just a job or two away.

Devin Burke and her family have moved cross-country to California and now must adjust to a new life and a new soccer team. The Kentville Kicks don’t quite play up to the standard that Devin is used to, so she must establish herself as a leader while also trying to make friends in a strange place.

Registrar Kate Dickinson tries to balance her personal life with the daily dramas of births, deaths and marriages and the impact they have upon her and her staff at the local Registry Office in Leeds.

Loner Sam’s life is transformed when he comes into possession of a gun and starts to break the law. His ambitious policewoman sister Gina is paid to uphold it and makes it her mission to find the owner of the weapon. The family saga plays out against an inquiry into the shooting of a local businessman that raises questions for Sam and Gina about their father’s murder when they were young children.

The Invaders, alien beings from a dying planet. Their destination: the Earth. Their purpose: to make it their world. David Vincent has seen them, for him it began one lost night on a lonely country road, looking for a shortcut that he never found. It began with a closed deserted diner, and a man too long without sleep to continue his journey. It began with the landing of a craft from another galaxy. Now, David Vincent knows that the Invaders are here, that they have taken human form. Somehow he must convince a disbelieving world that the nightmare has already begun.

A con man on the run from a vicious gangster takes cover from his past by assuming the identity of his prison cellmate, Pete, “reuniting” with Pete’s estranged family, a colorful, dysfunctional group that threatens to drag him into a world just as dangerous as the one he’s trying to escape – and, just maybe, give him a taste of the loving family he’s never had.

Theodore ‘Teddy’ Hoffman is a highly-regarded defense attorney in a prestigious Los Angeles law firm. Having successfully defended the wealthy but suspicious Richard Cross in a much-publicised murder trial, he is now involved in the defense of Neil Avedon, a famous young actor who has been suffering from severe drug and alcohol problems – and has been charged with the murder for which Cross was acquitted.

The misadventures of a group of friends as they navigate the pitfalls of work, life and love in Manhattan.

Undercover follows Maya, the first black Director Of Public Prosecutions. Just as she is about to take up the post and her life comes under intense public scrutiny, she learns that that her husband Nick has been lying to her for years. Twenty years ago Nick was a fearless and dedicated undercover officer, infiltrating organisations considered a danger to society because of their political beliefs. Nick built himself a fake past and now with his wife unsuspecting and his conscience killing him – his secret identity may compromise the new Director of Public Prosecutions.

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show’s production company, Talent Associates, to capitalize on “the two biggest things in the entertainment world today”—James Bond and Inspector Clouseau. Brooks said: “It’s an insane combination of James Bond and Mel Brooks comedy.” This is the only Mel Brooks production to feature a laugh track.

The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart’s opening title sequence at No. 2 on its list of TV’s Top 10 Credits Sequences, as selected by readers.

Dr. William Rush is not your average on-call doctor. He’s not attached to any hospital, he’s highly discreet no matter what the ailment as long as the client can pay his cash-only premium and the doctor can party with the best of them. He has no desire to change his life or how he lives it, until an old flame and his conscience begin to stir things up.