No rules. No expectations. A half hour to make their mark. Eight different comedians each get an episode to show their skills in comedy.

A medical student who becomes a zombie joins a Coroner’s Office in order to gain access to the brains she must reluctantly eat so that she can maintain her humanity. But every brain she eats, she also inherits their memories and must now solve their deaths with help from the Medical examiner and a police detective.

This single-camera animation/live-action hybrid comedy revolves around Kirby Buckets, a kid who dreams of being the biggest animator in the world. His drawings take shape as he and his best friends, Fish and Eli, go on outrageous adventures.

BasedontheMTVseriesofthesamename.Thegamefeaturescelebritiesandmoviemonstersasplayablecharacters.

A group of teenagers navigating high school and charging into adulthood the way everyone does… by taking one step forward and three steps back.

The misadventures of two modern-day Stone Age families, the Flintstones and the Rubbles.

In a firehouse in one of America’s rainiest cities that is light on blazes that need extinguishing, its crew keeps themselves entertained with creative competitions, friendly first responder rivalries, and bizarre emergency calls.

The 10th Kingdom is an American fairytale fantasy miniseries written by Simon Moore and produced by Britain’s Carnival Films, Germany’s Babelsberg Film und Fernsehen, and the USA’s Hallmark Entertainment. It depicts the adventures of a young woman and her father after they are transported from Manhattan, New York, through a magical mirror into a parallel world of fairy tales, magical beings, evil stepmothers and self-discovery.

The miniseries was initially broadcast over five nights in two-hour episodes on NBC, beginning February 27, 2000. It garnered good reviews but very poor ratings. It won an Emmy Award for Outstanding Main Title Design in 2000.

Desi and Cata find a body in the mansion they just finished cleaning. Horror. Panic. The police arrive. Wait a minute! Did a gypsy woman and a Mexican immigrant just clean up a crime scene? They’re the perfect culprits. Now they have to escape from the police. And also from Russian hitmen, a family of millionaires and an ex-husband with a mariachi band. Let’s see how they get out of this mess.

Two musicians who retired from their musical careers for different reasons join together with a demanding and difficult genius conductor to form an orchestra against all odds. Although it requires a lot of hard work to form their orchestra, they keep chasing their dreams of doing what they love the most in the world and this gives them great satisfaction. Three young and old people with different personalities and life experiences gather together under a common dream and they find love and the room to forgive each other as they eventually earn each other’s respect.

The story of a wealthy family that lost everything, and the one son who had no choice but to keep them all together.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.

The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.