In Treatment is an Italian TV series directed by Saverio Costanzo and starring Sergio Castellitto.

Amanda Vaughn, once the ultimate high school “mean girl,” is forced to return home in disgrace after her marriage ends in scandal. As Amanda and her teenage kids try to adjust to their new lives, the ladies from her past alternate between sympathy and scheming.

The prequel series finds the Targaryen dynasty at the absolute apex of its power, with more than 15 dragons under their yoke. Most empires—real and imagined—crumble from such heights. In the case of the Targaryens, their slow fall begins almost 193 years before the events of Game of Thrones, when King Viserys Targaryen breaks with a century of tradition by naming his daughter Rhaenyra heir to the Iron Throne. But when Viserys later fathers a son, the court is shocked when Rhaenyra retains her status as his heir, and seeds of division sow friction across the realm.

Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.

Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.

Quincy, M.E. is an American television series from Universal Studios that aired from October 3, 1976, to September 5, 1983, on NBC. It stars Jack Klugman in the title role, a Los Angeles County medical examiner.

Inspired by the book Where Death Delights by Marshall Houts, a former FBI agent, the show also resembled the earlier Canadian television series Wojeck, broadcast by CBC Television. John Vernon, who played the Wojeck title role, later guest starred in the third-season episode “Requiem For The Living”. Quincy’s character is loosely modelled on Los Angeles’ “Coroner to the Stars” Thomas Noguchi.

The first half of the first season of Quincy was broadcast as 90-minute telefilms as part of the NBC Sunday Mystery Movie rotation in the fall of 1976 alongside Columbo, McCloud, and McMillan. The series proved popular enough that midway through the 1976–1977 season, Quincy was spun off into its own weekly one-hour series. The Mystery Movie format was discontinued in the spring of 1977.

In 1978, writers Tony Lawrence and Lou Shaw received an Edgar Award from the Mystery Writers of America for the second-season episode “…The Thighbone’s Connected to the Knee Bone…”. Many of the episodes used the same actors for different roles in various episodes. For example, an actor who plays a crooked Navy captain also plays a ballistics expert in several of the later episodes. Using a small “pool” of actors was a common production trait of many Glen A. Larson TV programs. Before becoming a regular cast member as Quincy’s girlfriend-wife Dr. Emily Hanover in the 1982-1983 season, Anita Gillette had portrayed Quincy’s deceased first wife Helen Quincy in a flashback in a 1979 episode “Promises to Keep”.

When Charlie Harris ends up in a coma, he leaves the Hope-Zion Hospital in chaos – and his fiancée and fellow surgeon, Alex Reid, in a state of shock. As the staff of Hope-Zion races to save lives, comatose Dr. Harris wanders the halls of Hope-Zee in “spirit” form, not sure if he’s a ghost or a figment of his own imagination.

Robyn, the sharp and witty publicity maven, is an expert at her craft but a complete self-saboteur when it comes to her personal life. Robyn’s work as a crisis PR strategist is fast-paced and unpredictable, as she counsels high-profile personalities in entertainment, fashion and sports.

A group of individuals in Istanbul transcend sociocultural boundaries and find connection as their fears and wishes intertwine.

Detective Raimy Sullivan is stunned when a voice suddenly crackles through her father’s old, long-broken ham radio – it’s Frank Sullivan, somehow transmitting over the airwaves and through the decades from 1996. Separated by twenty years, father and daughter have reunited on a frequency only they can hear, but can they rewrite the story of their lives without risking everyone they love?

A 14-year-old prodigy’s mother relies on him to find a way out of poverty, but he is haunted by the death of his friend; he must choose between the streets that raised him or the higher education that may offer him a way out.

The League of Gentlemen is a British comedy television series that premiered on BBC Two in 1999. The show is set in Royston Vasey, a fictional town in Northern England based on Bacup, Lancashire. It follows the lives of dozens of bizarre townspeople, most of whom are played by three of the show’s four writers—Mark Gatiss, Steve Pemberton, and Reece Shearsmith—who, along with Jeremy Dyson, formed the League of Gentlemen comedy troupe in 1995. The series originally aired for three series from 1999 until 2002 followed by a film in 2005. A three-part revival mini-series was broadcast in December 2017 to celebrate the group’s 20th anniversary.

A drama dealing with the abduction and murder of a young black girl, soon to be adopted by her white foster family, and the trail of lies, blame, guilt and notoriety which follow.