Watch Seasons :
Five duck decoy carvers from Alberta pursue their dreams of winning the illustrious (their words) Northern Alberta Carving Cup.
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It’s not just a comic book store; it’s a comics store — where the most-acclaimed talent gather for a night of comedy, on-stage and off. Join hosts Jonah Ray and Kumail Nanjani as they give you an all-access pass to the hottest stand-up scene in town.
Sheila Rubin is a quietly tormented housewife in ’80s San Diego. Behind closed doors, she battles extreme personal demons and a vicious inner voice. But things change when she discovers aerobics, sparking a journey toward empowerment and success.
The five-day-a-week syndicated successor to the popular CBS game show, where two contestants compete to match fill-in-the-blank phrases with those of the celebrities.
K.C. Cooper, a high school math whiz and karate black-belt, learns that her parents are spies when they recruit her to join them in the secret government agency, The Organization. While she now has the latest spy gadgets at her disposal, K.C. has a lot to learn about being a spy, including keeping her new gig a secret from her best friend Marisa. Together, K.C. and her parents, Craig and Kira, and her younger siblings, Ernie and Judy (a humanoid robot), try to balance everyday family life while on undercover missions, near and far, to save the world.
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After Jay Leno’s second retirement from the program, Jimmy Fallon stepped in as his permanent replacement. After 42 years in Los Angeles the program was brought back to New York.
Bob’s Burgers follows a third-generation restaurateur, Bob, as he runs Bob’s Burgers with the help of his wife and their three kids. Bob and his quirky family have big ideas about burgers, but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bob’s Burgers “grand re-re-re-opening” a success.
The Phil Silvers Show, originally titled You’ll Never Get Rich, was a sitcom which ran on CBS from 1955 to 1959 for 142 episodes, plus a 1959 special. The series starred Phil Silvers as Master Sergeant Ernest G. Bilko of the United States Army.
The series was created and largely written by Nat Hiken, and won three consecutive Emmy Awards for Best Comedy Series. The show is sometimes titled Sergeant Bilko or simply Bilko in reruns, and is very often referred to by these names, both on-screen and by viewers. The show’s success transformed Silvers from a journeyman comedian into a star, and writer-producer Hiken from a highly-regarded behind-the-scenes comedy writer into a publicly recognized creator.
Honey, I Shrunk the Kids: The TV Show is an American syndicated science fiction sitcom based on the 1989 film, Honey, I Shrunk the Kids. It expands upon the original film’s concept of a shrinking experiment gone wrong to include a myriad of experiments gone awry. It debuted in first-run syndication on September 1, 1997 and ran for three consecutive seasons, concluding with the 66th episode on May 20, 2000.
Peter Scolari took over the role as Wayne Szalinski, the wacky inventor in the original film, played by Rick Moranis. Each episode incorporates new technologies and digital effects to feature the family in various new adventures. The series was filmed in Calgary, Alberta, with its main studios located in Currie Barracks, a decommissioned Canadian Forces dormitory.
Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.
The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.
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