Becky, Tommi and Maik form a right-wing terror cell that lives in the underground and is dreaming of country-wide attention. Entangled in a complex relationship of love, hate and friendship, they follow a path of destruction that leads to a series of violent crime. Their alleged values such as honor, pride and loyalty decline due to their increasing disorientation.
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Seven friends – Alec, Billy, Jules, Kevin, Kirby, Leslie and Wendy – are trying to navigate through life and their friendships following college graduation. Alec, who aspires to political life, has just shown his true colors by changing his allegiance from Democrat to Republican, which freaks out girlfriend Leslie, who he wants to marry. Budding architect Leslie, on the other hand, has an independent streak. She believes she has to make a name for herself to find out who she is before she can truly commit to another person in marriage. But Leslie and Alec have decided to live together. Because Leslie refuses to marry Alec, he believes that justifies certain behavior. Kirby, who wants to become a lawyer and who pays for his schooling by working as a waiter at their local hangout called St. Elmo’s Bar, and struggling writer Kevin are currently roommates. They are on opposite extremes of the romance spectrum.
Famous and wealthy funnyman George Simmons doesn’t give much thought to how he treats people until a doctor delivers stunning health news, forcing George to reevaluate his priorities with a little help from aspiring stand-up comic Ira.
In the midst of the Mariel boat lift — a hurried exodus of refugees from Cuba going to America — an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn’t seen in decades.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
Reality and illusion collide in this thriller about a megalomaniacal movie director who murders a young would-be actress, then sets about making a feature about the deed, casting the dead woman’s clueless husband as the patsy, and finding a dead ringer to play the part of the dead actress.
1960s Turkey countryside. A newly assigned teacher finds out that the solitary village is missing a school. He gets fond of the village people and especially a disabled man. The teacher helps the village to build a new school and educate the children and the disabled man.
Quitters tells the story of the Raymans, a wealthy Jewish family that’s falling apart. The son, Clark, is a bright and curious high schooler with a talent for manipulation. As his mother May enters treatment for a pill addiction, and he and his father Roger stop getting along, Clark thinks about running away from home. He just needs to decide where to go.