Cristian, a young idealistic prosecutor whose career is on the rise, tries to crack a case against a senior colleague accused of corruption. The dilemma of choosing between his career and the truth weighs heavily on his shoulders. Looking further to solve the case, he enters a danger zone paved with unexpected and painful revelations.
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Four aspiring musical actresses – Carol, Trixie, Polly and Fay – are struggling to make a living on Broadway in the midst of the Great Depression. When producer Barney Hopkins has the idea of creating a show about the Depression, the girls team up with newly-discovered songwriter Brad Roberts to make it happen. But Brad is not who he seems.
Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.
Hyun-myung, Doo-yong- and Gun-woo decide to spend the night at their secret place at the pond to celebrate their last day of high school and Sung-pil’s sister Kyung-mi’s birthday. Later night as the party intensifies, Gun-woo and Kyung-mi go back home quickly to get something, however they don’t make it back. The rest go searching for them only to find Gun-woo’s broken scooter and Kyung-mi’s dead body near the verge of the town and Gun-woo is missing. Four years later, Hyun-myung comes back in town and runs into his old friends. Eventually the truth of the past unfolds.
Jonathan Ecks, an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever, a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a “micro-device” that can be injected into victims in order to kill them at will.
As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Heejoo, returns. Heejoo is bewildered at the fact that the victim’s wife Youngnam is also working at the factory where she goes to work. By accident, Heejoo becomes close with Youngnam’s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Heejoo’s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend.
Based on true event, the story starts with Ka Chun (Chiu Sin Hang), an ordinary white-collar, storms the city by leaking over 3,000 photos of part-time-girlfriends (PTGF). After a series of unfortunate love, Ka Chun decides to seek relationships with PTGF and soon becomes a master on YouTube admired by thousands of netizens, namely “Score of 100”. A life turning point emerges when Ka Chun finds out that the girl Tsz Shun (Larine Tang) he has a crush on is also a PTGF. How would they overcome the hardship and survive in the cruel world of internet?
Six days in the lives of an Israeli living in a kibbutz and a Palestinian living in Paris, which starts with an accidental meeting in the Berlin Subway during the World cup finals, will change them completely.
Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
A Wall Street investment banker who has been set up as the linchpin of his company’s mob-backed Ponzi scheme is relocated with his family to Aunt Madea’s southern home.
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