Judith, a small-town senior on the verge of graduation, struggles against the pressure of her strict religious upbringing and is pushed to extreme lengths when a terrible event brings her entire world crashing down.
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The Dirty Dozen meet the Stiff Upper Lip. A British Petroleum executive (Michael Caine) is assigned to work with the British Army in North Africa handling port duties for incoming fuels.
Single father Aaron fights to save his 12-year-old hemophiliac son after becoming infected with vampire blood.
Seduced by the instant rewards of criminal activity, LEO ROBERTS (Anthony Welsh) enters the shadowy underground world of strip clubs, saunas, drugs and prostitution. Blinded by the potential power and prestige, Leo is convinced he is in control, only to realise that he has to start playing by a different set of rules. The rules set by crime boss ILIR DUKA (Mem Ferda). Leo’s chosen path, soon spirals out of control, where the stakes keep getting higher and higher, until there is no turning back.
Based in the backdrop of 19th century Bengal, Rosogolla is a story of a young man with a romantic heart and brilliant mind — Nabin Chandra Das, who had set his heart on making the most delicious sweet of all time for his wife, Khirodmoni. Rosogolla is a story of the many trial and tribulations in his journey of making something unique, of innocent love, struggle and human aspiration for novelty.
Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers, Sophie and Jean. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three. Based on their teacher’s reputation, Sophie and Jean are invited to participate in a singing contest staged by Prince Scotti. Scotti’s protege is set up to get revenge for Scotti’s defeat at the hands of Dallayrac in a similar competition many years ago. The young students overcome Scotti’s trickery to win the competition. Written by Kevin Kraynak
A security guard falls for a famous TV actress he is hired to protect while dealing with mobsters who want his hide for some sour business deal.
Dead bodies are piling up, and the leads the two LA homicide cops have point to Barbara, business manager for a successful architectural firm she runs with her husband Lance. The dead men were interns at the firm, and each of them was Barbara’s lover (kept in a classy flat she owns and observed via closed-circuit TV by the applauding Lance). Kyle is Barbara’s latest intern and lover, and he may be in danger. He also starts to fall in love with Barbara, and the feeling may be mutual. In the background are Erin, Lance and Barbara’s myopic administrative assistant, and Tony, Kyle’s one-time roommate who also knows Barbara. Can the cops solve this before too many more die?
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Two misfit best friends incapable of growing up, whose direction is tested by an abandoned child, worn beyond his years; together they invent the family they’ve always needed.
A young drifter named Nomi arrives in Las Vegas to become a dancer and soon sets about clawing and pushing her way to become a top showgirl.
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to America with them, or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris more exciting than America and is reluctant to give up his music for a relationship, and Eddie wants to stay for the city’s more tolerant racial atmosphere.
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