In the early 1990s the property was bought on contract by Herb Baumeister, a local business owner and family man. Although never brought to trial, he was the prime suspect in the disappearance of a number of individuals from the Midwest through two decades. Over a six-month period, six paranormal investigation teams,including psychics, a demonologist, EVP and visual specialists,investigated an 18-acre estate in Westfield, Indiana known as Fox Hollow Farm.

A combination of first-person stories and exclusive aerial images, HUMAN is a unique documentary. This sensitive experience is an introspection into whom we are today as a community but also and most importantly as an individual. Through wars, inequalities, discriminations, HUMAN confronts us with the realities and the diversity of our human conditions. Beyond this darker side, testimonies show the empathy and the solidarities which we are capable of. All these contradictions are ours and HUMAN leads us to reflect about the future we wish to give to people and the planet today. Filmed in 60 countries during two years, HUMAN by Yann Arthus-Bertrand draws a portrait of nowaday’s Humanity.

It is becoming increasingly difficult to protect ourselves from extreme financial volatility. This feature documentary will examine the mechanics behind bubbles and crashes, and discuss trends and visions for the future.

Invaluable is the feature-length documentary film about Tom Sullivan, creator of the special make-up effects in “The Evil Dead”, “Evil Dead II”, and “Army of Darkness”. This film contains footage and places never before seen until now and features interviews with Bruce Campbell, Scott Spiegel, Josh Becker, Ted Raimi, Hal Delrich, Betsy Baker, Sarah York, Ellen Sandweiss, Tom Sullivan, and many more.

An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.

A personal documentary about a public subject, My Father’s Vietnam personifies the connections made and unmade by the Vietnam War. Featuring never-before-seen photographs and 8mm footage of the era, My Father’s Vietnam is the story of three soldiers, only one of whom returned home alive. Interviews with the filmmaker’s Vietnam Veteran father, and the friends and family members of two men he served with who were killed there, give voice to individuals who continue to silently carry the psychological burdens of a war that ended over 40 years ago. My Father’s Vietnam carries with it the potential to encourage audiences to broach the subjects of service and sacrifice with the veterans in their lives.

What is money? What are debts? What are the consequences of both? And how can images be found for them? In Oeconomia, Carmen Losmann undertakes a journey in the strategic heartlands of neoliberal policy.

In response to a wave of discriminatory anti-LGBTQ laws and the divisive 2016 election, the San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South.

South Bureau Homicide, set in South Los Angeles, explores the unsung bond created by the homicide detectives of LAPD and the local community’s anti-violent-crime activists who together investigate and cope with the persistent menace of homicidal violence that plagues a disproportionately small part of LA.

Nearly 20 years after his death and in the run-up to his centenary, Toshiro Mifune remains a true giant of Japanese cinema.

Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that an elite in Washington knows best how to allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one’s lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples’ money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.

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