A love for a cousin, deeply engraved in childhood. Twelve years later, a stopped heart begins to beat again.

Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.

Tina lives in a quiet seaside town but her life is anything but quiet – her mother is threatening to leave her father, her daughter is being bullied and she and her husband Mick are juggling full time jobs and three children. Determined to ditch the dysfunction and beat her inner demons, Tina puts on her fighting gloves – literally, stepping into the boxing ring to sweat out her anxieties and punch up her self-worth. But does she have what it takes to get her family off the ropes and emerge victorious?

After surviving a car accident that took the life of her boyfriend, a teenage girl believes he’s attempting to reconnect with her from the after world.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

A contemporary retelling of the parable of the prodigal son set in the world of Texas high school basketball.

A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.

Loosely inspired by Dostoyevsky’s short story A Gentle Creature about a woman who travels to a prison in a remote region to track down her incarcerated husband.

Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.

Avi Brickman is a middle-aged man still broken from the tragic death of his eight-year-old daughter five years earlier. When he is suddenly fired from his job, a thin threaded lifeline to his shattered existence, he decides to kill himself in the very home where the accident occurred. However, when he arrives at the isolated house in the woods, he finds a woman and her young daughter taking shelter there. During one long night, in his confused state of mind, he is haunted by the ghosts of his past as he confronts his guilt and pain to a cathartic and unexpected conclusion.

A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors’ and victims’ families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.

Doug and Robbie are about to set sail on a long trip when they unexpectedly find themselves foster parenting a group of troubled teenage boys. The experience changes their lives for the better, and they decide to stay in town and run the foster home for boys permanently.