Beatrice, recently widowed by a far right sympathetic policeman, lives with her son & mother. She doesn’t like migrant and foreigners. When she meets Mokhtar, an Iranian entered illegally in France, her world crumbles. This is the beginning of a passionate love story leading Beatrice to defy her racist entourage and the law so that he can cross the Channel.

Deep in the jungle, a group of Mexican gum workers crosses their path with Agnes, a mysterious Belizean woman. Her presence enlivens the fantasies and desires of those men, without knowing that they have woken up an ancient Mayan legend.

After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeirom where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.

A newlywed couple turns to a scientist for help having a baby and find themselves at the center of a genetic puzzle with far reaching implications and an ethically ambiguous solution.

Two college friends, now in their thirties, admire each others’ lives and feel trapped in their own. Wes, tied to a demanding career and responsibilities to family, extends a work trip to drag his dispirited artist friend Luke to find Luke’s “one that got away.”

A mismatched collection of conscripted civilians find training tough under Lieutenant Jim Perry and Sergeant Ned Fletcher when they are called up to replace an infantry battalion that had suffered casualties at Dunkirk.

The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

The Unvanquished is the second part of the Bangladesh Apu film series about a boy named Apu who gets a scholarship to study at a College in Calcutta. His mother is alone and torn between wanting him to be successful and not wanting him to leave her alone.

Bonnie and Clyde is based on the true stories of the gangster pair Bonnie Parker and Clyde Barrow who in the 1930s began robbing banks in U.S. cities until they were eventually killed. The film is a major landmark in the aesthetic movement known as the New Hollywood.

A wife, overwhelmed with hatred for her husband, inflicts an unspeakable wound on their son, as the family heads towards horrific destruction.

Emily is a top newscaster who has achieved her career dreams but still has regrets about the guy who got away five years earlier. When the Christmas carnival comes to town, a ride around the carousel takes her magically back in time to the carnival five years before…giving her a second chance at love before she must return to Christmas present.