Every year more than 70,000 Australian school leavers head to the beaches of Australia’s Gold Coast to celebrate their release from the secondary school system. With a wild mixture of sun, surf and sex, this quintessential Australian tradition is known affectionately as ‘Schoolies Week’. So strap on the beer goggles and follow several groups of friends as they travel to the Gold Coast by train, clapped out Holden, Limo and on foot in search of the best time of their lives.

Amar, Akbar and Anthony are close friends living in Kochi. They enjoy a carefree life. Their perceptions and beliefs get shattered with an unexpected event and the resulting story forms the plot of the movie.

Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.

Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.

Jake and Kyle are two boys who grew up together in rural Arizona. They are best friends, and they begin to take their relationship to the next level when Jake’s father moves him and his family away to California. Jake and Kyle can never forget their strong emotional bond, and Jake, overworked and unattached, goes back to his hometown for the first time in 15 years to see Kyle and renew their special friendship.

Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.

A university student returns home to self-isolate during the lockdown. He’s totally alone, he’s caught the virus and in order to cope, he’s started to talk to himself.

Two men in a gay men’s rugby club must conceal an adulterous affair they unwittingly fall into before it leads to the collapse of the delicate social and political fabric of the club.

After years of paying his dues in every bar from New York to Pennsylvania, New Jersey Rock n’ Roller Jimmy Ford trades in his rock n’ roll fantasy for the bright lights of Nashville. His new life in the Music City presents staggering highs and lows, but everything may not be quite as it seems. Jason Michael Carroll (Country Music Star whose Top 40 hits include “Alyssa Lies” “Livin Our Love Song” and “I Can Sleep When I’m Dead”), and Katie Garfield (“The Birth of a Nation”) lead an extraordinary cast in this genuine, compelling drama that really boogies. Despite lofty expectations, Jimmy Ford (Carroll) quickly realizes that Nashville presents its own unique challenges

In the present, artist Tom Warshaw recalls his traumatic coming of age. As a 13-year-old growing up in New York City in 1973, Tom hangs out with Pappass, a mentally disabled man. With Tom’s mother battling depression after the death of her husband, the young boy is left to his own devices. When Tom develops a crush on schoolmate Melissa, Pappass feels abandoned and begins behaving erratically.

After years of rotting in Joliet, Les, a wrongfully imprisoned street legend known as “The Ghoul”, is released into a mad search through Chicago’s back alleys for the man who slaughtered his mother and robbed him of his soul. Aided by mysterious benefactors, he must delve beneath the city into a modern labyrinth of gutters whose tendrils have grown deep while he was gone. What unfolds is a desperate tale of brute force tragedy set in the supernatural underworld of Chicago, where heroes are reduced to horror-shows, villains dream of their own demise, and good and evil prove to be antiquated concepts.

After a violent bank robbery, the trio of hoods make their way across East L.A. carrying a blood-soaked bag of money. When word gets out, they must fend off gangs and crooked cops alike as they strive to keep the loot and stay alive.