As Christmas nears, heiress Jessica Morgan seizes what seems like her last chance to experience a relaxed Christmas and heads off to the small town of Glenbrooke, where she meets a handsome fireman.

Erica is a rancher who has spent her whole life working the family farm with her mother and sister. When Aaron arrives and disrupts her plans, she starts to question what it is she actually wants.

Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.

Rebecca, a teacher, and Adam, an ad executive are excited to plan their Jewish wedding, but their wedding and future are put into jeopardy when Adam lands a new ad campaign, and their mothers meet for the first time.

Al McCord is hanging out at his favourite restaurant when he meets an attractive young woman (Ellie) who is looking for a ride from the city out into the Mojave Desert, where her mother lives. Little does he know that while Ellie is falling in love with him, he is falling for her mother (Julie), despite the nearby presence of Julie’s boyfriend who seems likely to go berzerk at any moment. Even more strange, hilarious events follow and it’s up to Al to find some explanation. His life may never again be the same.

Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.

The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the rest of the country and the turmoil it’s going through. The movie looks at young people’s lives in Tel Aviv through the POVs of gays and straights, Jews and Arabs, men and women.

A Glasgow man (Robert Carlyle) visits war-torn Nicaragua with a refugee (Oyanka Cabezas) tormented by her memories.

Artisan cheese shop owner Brie finds herself competing for a $50,000 prize in her town’s annual Cheese Festival. To boost her presence, she teams up with an influential cheese critic to profile her vintage smoked gouda. As their friendship develops into romance, a competitor’s business proposal and unforeseen complications force Brie to put her shop – and heart – on the line.

George is a small-time crook just out of prison who discovers his tough-guy image is out of date. Reduced to working as a minder/driver for high class call girl Simone, he has to agree when she asks him to find a young colleague from her King’s Cross days. That’s when George’s troubles just start.

A powerful and emotional coming of age story, this remarkable tale is told with honesty and originality that will leave audiences moved. In the film, two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a take on friendship and young love as engaging and true as it is provocative and stirring.

Lee Yoo-rim is a high school English teacher. He’s cute, clever… and shameless. Choi Hong is a student teacher, even though she is one year older than Yu-rim. She’s cynical and always plays hard-to-get when a man shows interest in her. While going out for drinks one night, Yu-rim suddenly tells Hong that he wants to have sex with her. Hong is hardly impressed. And so begins a battle of will and wits, both between each other and within themselves, as both Yu-rim and Hong are unsure of what each other wants and what they want themselves. Dating and desire mix explosively. What is the point of this strange relationship? What is the object of their desire?