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Call Center Girl is a 2013 Filipino family comedy drama film directed by Don Cuaresma, starring Pokwang, Enchong Dee, and Jessy Mendiola.
A star cowboy in a traveling rodeo gets thrown off course when he falls in love with the daughter of a tough-minded town councilman.
Seven years after the world’s most devastating tsunami in Thailand six strangers find themselves trapped in a beach side resort on the brink of an oncoming hurricane. Each of their hearts are broken and silently cry out on the most desperate night of their lives. As the storm rages on and the six strangers fall deeper into the heart of darkness another guest arrives at the hotel. He says he is Jesus Christ, and he knows what each of them suffers from. Knowing their dire need, he came to bring them all a message of hope and rescue them from the darkest corners of their own hearts.
After two tours of duty, Joe’s life unravels as he waits for PTSD treatment.
When her grandmother becomes seriously ill, Camila is forced to move to Buenos Aires, leaving behind a liberal public high school for a scholastic, traditional private institution. Suddenly a senior without any friends, and with her single mother caught up in family affairs; Camila’s fierce yet immature temperament is put to the test as she deals with the jarring change of scenery, and the alluring set of possibilities and experiences that lie in wait in the big city.
Life takes a nasty twist for D.A. Rusty Sabich when the woman he has been romantically involved with is murdered. He is assigned to investigate the case, but is soon charged with the murder.
The film is a sequel to Tanu Weds Manu (2011), in which stars Kangana Ranaut (Tanu) and R. Madhavan (Manu) reprise their roles from the original. Tanu and Manu’s marriage collapses. What happens when Manu meets Tanu’s lookalike Kusum – and when Tanu returns? Kangana Ranaut also portrays the additional role of a Haryanvi athlete Kusum in the film.
Rebellious Ki-soo from North Korea is mesmerized by tap dance in prison camps. Ki-soo joins as a team member of a dance team named ‘Swing Kids’. Yet suddenly, their dreams about dancing in prison camps are put in danger.
Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.
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