The classic stage hit gets the Hollywood treatment in the story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.

Motorized Mayhem…A Redneck Rodeo.

The film is a sequel to Tanu Weds Manu (2011), in which stars Kangana Ranaut (Tanu) and R. Madhavan (Manu) reprise their roles from the original. Tanu and Manu’s marriage collapses. What happens when Manu meets Tanu’s lookalike Kusum – and when Tanu returns? Kangana Ranaut also portrays the additional role of a Haryanvi athlete Kusum in the film.

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Amelia Lewis (Vanessa Lachey) is super excited when she buys an available storefront, planning to open a year-round Christmas shop. But her celebration comes to a screeching halt when she discovers that Vic Manning (Ryan McPartlin) has also bid on the property. Amelia and Vic have the same idea, get to the seller–Elder Dubois (Patrick Duffy) in the next town–and convince him to sell his space to them. Despite the holidays, Elder is down in the dumps. It’s the first Christmas without his wife, and he’s in no mood to chair the decoration committee for the “Battle of the Main Street” yearly holiday competition with the neighboring town. Hoping to win favor with Elder, Amelia and Vic volunteer to take over his duties. After continually bickering and trying to one-up each other, the two combatants learn to work together and even get the merchants on Main Street to put aside their differences for the greater good.

Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).

A divorced writer from the Midwest returns to her hometown to reconnect with an old flame, who’s now married with a family.

Alice Pratt, a hard working Christian woman, raised her two daughters while managing a simple diner of her own. Her snobbish and arrogant daughter Andrea graduated in Economic Science and works in a construction corporation while her sister Pam stayed with Alice and worked in the diner. Andrea is married to construction worker Chris, who works in the same corporation as his wife but dreams of starting up his own business. However she is being unfaithful to him – with their boss William Cartwright. William is the son of Alice’s best friend, the wealthy Charlotte Cartwright. While Alice travels with Charlotte on a road trip, the ambition and infidelity of William triggers a series of events that will affect relationships in both families.

A lonely, middle-aged man hires a male prostitute to recreate a road trip from his past.

Two brothers, both with troubled paths, find themselves in the middle of one last bank job.

Caroline and Margo respond to a “Missed Connections” ad on Craigslist, only to realize that there whirlwind romance was a trap, and the man of her dreams is leading a secret life. The Two women join forces to bring down the dangerous con man who simultaneously romanced and duped them.

An irreverent and sometimes offensive dark comedy in a world where Jovi (God) and Lou (Satan) negotiate the fate of all humanity, one game piece at a time.