Based on the true story of the events that led to the death of Kenneth Chamberlain Sr., an elderly African American veteran with bipolar disorder, who was killed during a conflict with police officers who were dispatched to check on him.
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When a deep space fishing vessel is robbed by a gang of pirates, the Captain makes a daring decision to go after a rare and nearly extinct species. His obsession propels them further into space as the crew spins toward mutiny and betrayal.
Matt sets out to live his dreams of becoming a world champion fighter. He meets Happy McBride, a washed up has-been, who takes him under his wing and introduces him to the underground world of MMA fighting. Matt fights his way to the top but then finds that love throws a stronger punch when his falls for Happy’s daughter Nikki.
In a high-rise apartment young parents Alex and Mahsa live with their seven-year-old daughter Mina. Everything about the family is completely normal, uncomfortably real: Their home, their jobs, her school, the way they hold and love each other. The line between fact and fiction is blurred because THEY ARE A REAL family. Until completely normal turns into what they fear the most. Alex’s injury opens the door to a malevolent force that attacks and dismantles the family one person at a time: A violent aggressor determined to prove that possession is real, unconscionably disturbing and very different from how it’s depicted in the movies.
The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.
Poland, 1990. The first euphoric year of freedom, but also of uncertainty for the future. Four apparently happy women of different ages decide it’s time to change their lives, and fulfill their desires.
A road trip to Kolkata brings Piku, an architect, closer to her ageing but nagging father Bhaskor Banerjee despite their disparate ideologies and fights over trivial issues.
The film centers on Asuna, a young girl who spends her solitary days listening to the mysterious music emanating from the crystal radio she received from her late father as a memento. One day while walking home she is attacked by a fearsome monster and saved mysterious boy named Shun. However, Shun disappears and Asuna embarks on a journey of adventure to the land of Agartha with her teacher Mr. Morisaki to meet a Shun again. Through her journey she comes to know the cruelty and beauty of the world, as well as loss.
Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court; to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer.
A story about four spanish people who see themselves as freaks and seldom go outside…
A command center operator becomes increasingly obsessed with a single mother when he begins monitoring her life through his company’s residential interior cameras.
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