For centuries the telling of ghost stories has been a much-loved English tradition, and it’s not only phantom specters that delight a susceptible audience. Witches, both good and evil have also been included in such terrifying tales for as long as anyone can remember. “Ghosts and Witches of Olde England” is a remarkable journey, touring around the country to explore some of the best examples of fright inducing folklore ever related.

This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band

In his newest film, Dinesh D’Souza will expose the secret history of the Democrats and the true motivations of Hillary.

What does mean to be gay and be a man? There’s no straight answer for sure. From the Castro culture of the 1970s to today’s Bears and gym rats, this fascinating investigation of gay men and sexuality blows the lid off old stereotypes and showcases a battalion of interviewees including muscle men, rodeo riders, rugby players and cops. The men speak candidly on topics from homophobia to metrosexuality to embracing effeminacy as they reveal what it means to be a gay man in America today.

Not Available

Not Available

Filmed over the summer festival season, Stacey Lee’s uplifting documentary examines gender inequality in the electronic dance music scene.

An access-all-areas look at the life of global megastar KSI as he goes through the most momentous year of his life. At the height of his fame, spurred on by a break-up, the multi-millionaire YouTuber, boxer and rapper starts to re-evaluate his priorities. How did JJ Olatunji, a nerdy kid from Watford become so successful and at what cost?

Legendary and controversial attorney Roy Cohn was a power broker in the rough and tumble world of New York City business and politics. Senator Joseph R. McCarthy’s top counsel during investigations into Communist activities in the 1950s, Cohn is also known for being Donald Trump’s former personal lawyer, fixer and mentor. Focusing on key periods of his life, and drawing on extensive, newly unearthed archival material, a new documentary on Cohn’s life will debut on HBO in 2019.

Martin Scorsese’s documentary intertwines footage from “The Band’s” incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.

The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.

Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.