In the late 19th century, a young Danish priest travels to a remote part of Iceland to build a church and photograph its people. But the deeper he goes into the unforgiving landscape, the more he strays from his purpose, the mission and morality.

A Chicago cop is caught in a middle of a gang war while his own comrades shun him because he wants to take an irresponsible cop down.

Based on the fact-based novel by Nazi-hunter Simon Wiesenthal based on his 1962 prosecution of the head of a Polish factory whom he learns was a murderous labor camp commandant. To be able to take him to justice, he must find witnesses who can help him. This leads him to Max Rosenberg, a still tormented individual who lost his wife, Helen, in the camps. Initially Max refuses to cooperate, but gradually his story unfolds beginning before the Holocaust.

Good girls Merritt, Melanie, Tuggle and Angie – all students at mid-western Penmore University – are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.

In 2002, cable news producer Kim Barker (Tina Fey) decides to shake up her routine by taking a daring new assignment in Kabul, Afghanistan. Dislodged from her comfortable American lifestyle, Barker finds herself in the middle of an out-of-control war zone. Luckily, she meets Tanya Vanderpoel (Margot Robbie), a fellow journalist who takes the shellshocked reporter under her wing. Amid the militants, warlords and nighttime partying, Barker discovers the key to becoming a successful correspondent.

PK, an English orphan terrorized for his family’s political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet. Geel teaches him how to box with the motto “fight with your fists and lead with your heart”. As he grows to manhood, PK uses these words to take on the system and the injustices he sees around him – and finds that one person really can make a difference.

After Charles Forsyth was sent to the electric chair for a crime he didn’t commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.

The film portrays a fictional nuclear war between NATO forces and the Warsaw Pact that rapidly escalates into a full scale exchange between the United States and the Soviet Union, focusing on the residents of Lawrence, Kansas, and Kansas City, Missouri, as well as several family farms situated next to nearby nuclear missile silos.

A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.

During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph’s son, Taylor Henry, a gambler and the lover of Paul’s sister Opal, is murdered, Paul’s right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A young, troubled city girl decides to move to her family owned horse ranch in a small, southern town for the summer to care for her dying mother.