Five single people try to figure out dating in the age of social media, texting, hanging out and hooking up.
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In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Follows the tragic murders that took place at the hands of Democratic political donor Edward Buck, while also unpacking internalized homophobia, the psychological root of predatory behaviors, and providing a deeper exploration of challenges faced by the black and brown LGBTQ+ community
A look at the Miami-Dade County Corrections and Rehabilitation Boot Camp Program, which allows young inmates undergo a strict six-week course in order to learn from their past mistakes and make a better future for themselves.
Cat experts dive into the mind of the feline to reveal the true capabilities of the pouncing pet in this captivating and cuddly documentary.
The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.
GameLoading Rise of the Indies is a feature documentary exploring the world of indie game developers, their craft, their games, their dreams, and how they have forever changed the landscape of games culture.
This film follows several independent game developers (Jason Rohrer, thatgamecompany, Douglas Wilson, Zach Gage, Aledander Bruce) examining why they make digital games. The film delves into their creativity and explores some of their thinking and design strategies. Game developers operate in terrain that demands both programming logic and aesthetic quality. The work is hard, however that’s what they want to do. The film explores how the developers go deeper into the notion of entertainment and discovery.
Jesse Hughes, AKA Boots Electric, AKA The Fabulous Weapon, AKA “The Devil” – guitarist, beloved frontman of the band Eagles of Death Metal, man of God, and (possibly) aspiring conservative politician. VICE presents The Redemption of the Devil, which follows Jesse as he gets ordained as a Catholic minister, begins an intense relationship with an ex porn star, explores the political arena, and fights for custody of his only child, all while preparing for the fervently awaited release of his first album since 2008 with childhood best friend Josh Homme, frontman of Queens of the Stone Age.
Mali’s Music defines the country’s cultural identity. Radical Islamists are threatening the musicians. Together with the stars of Malian Global Pop – Fatoumata Diawara, Bassekou Kouyaté Master Soumy and Ahmed Ag Kaedi – we embark on a musical journey to Mali’s agitated heart. Can their music reconcile the country? IMDB
This quirky documentary film tracks art dealer Harvey Jordan on his obsessive journey to find out about the mysteries of ‘Bible Storyland’, an ill fated Bible theme park intended to compete with Disney in 1960s Southern California. Complete with dream sequences, animation and of course, a curse, this fun film plumbs the depths of the many facets of ‘Bible Storyland’, and it’s affects on Harvey and his family. — IMDb Plot: Bible Storyland (2012)
The life and times of Stiv Bators, legendary frontman of the Dead Boys and The Lords of The New Church.
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