Daughter of Dawn told the story of a Comanche chief’s daughter torn between two lovers, one wealthy but cowardly, the other poor but honest and loyal. A contest of bravery involving a dangerous jump off of a cliff reveals the true nature of each man. The cowardly lover disgraced by his failing defects to the rival Kiowa tribe and joins in a failed attack on the Comanche village. When the Comanches successfully repel the attack the Chief gladly sends his daughter off with her true love and the young lovers, paddling together in a canoe, sail into the proverbial sunset.

The story takes place in 1870 in the Wild West and revolves around a country musician named Dalton who takes a job as the sheriff of Toonstone to support his livelihood as he chases outlaws, aliens and his ultimate dream… his music.

Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.

1865, the American Civil War has just ended. The last remaining members of a now destitute Southern family journey to California. The guilt and scars they carry from the war are deeper and more painful than the loss of their family fortune and home. The war is over, but the battle to survive has just begun, they are in search of a new life, a new fortune, a new world and something else that they do not yet understand, the redemption of their very souls. Written by Joseph Paul Stachura

Part of the 12 Western feature films to be made in 12 months during 2020, this film tells the story of Texas Red, an African-American man who was hunted by hundreds through the Winter wilderness of Mississippi.

A young couple’s wedding ceremony is brutally interrupted when a pair of outlaw brothers arrive and massacre almost everyone in sight. They kidnap the beautiful young bride and leave her husband for dead. Luckily, he only sustains a flesh wound and quickly saddles up to track down the brothers before they sell his wife and a group of other women at an auction to a group of Mexican brothel owners.

Wes Rawlins is considered one of the best bounty hunters in the West. His life changes when he finds out that his mother is dead and the man responsible is still at large. Wes believes that his long lost father Ray Eastman is responsible and sets out to find him seeking revenge…

An outlaw kills a marshal and steals his identity; a Pinkerton pursues him across the open country.

History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett’s outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading with a new ‘efficient’ ruthlessness.

The true story of a recently widowered lawman who befriends a boy dying of tuberculosis and a madam of the local brothel while their town is being politically and violently overtaken by a gang of reckless cattlemen from Texas.

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Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.