Gerald Blanchard’s surprising, first-hand account as a calculating and accomplished criminal mastermind. Two unlikely detectives track him worldwide as he commits increasingly elaborate heists in a quest for fame.

First-hand accounts by enlisted Army veterans candidly address suicide, PTSD, and intimate stories and feelings about the challenges of loss, reintegration, and the need for community, brotherhood, and overall purpose after serving.

While challenging common beliefs on the history of civilization, the film takes the audience back to 12 thousand years ago, to Gobeklitepe, an ancient site recently found in SanliUrfa, Turkiye. With its brilliant graphics and interviews with experts, the film shows how old taboos come tumbling down as we keep scratching the surface.

A look at the rise and fall of the subversive skateboarding magazine Big Brother, which rose to prominence in the mid-1990s and had a profound effect on the skating subculture with its unfiltered approach.

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This film follows several independent game developers (Jason Rohrer, thatgamecompany, Douglas Wilson, Zach Gage, Aledander Bruce) examining why they make digital games. The film delves into their creativity and explores some of their thinking and design strategies. Game developers operate in terrain that demands both programming logic and aesthetic quality. The work is hard, however that’s what they want to do. The film explores how the developers go deeper into the notion of entertainment and discovery.

A documentary about the three young stars of The Hunger Games.

An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improv laws that claim to protect women

Live and Let Live is a feature documentary examining our relationship with animals, the history of veganism and the ethical, environmental and health reasons that move people to go vegan.

Dick Proenneke retired at age 50 in 1967 and decided to build his own cabin in the wilderness at the base of the Aleutian Peninsula, in what is now Lake Clark National Park. Using color footage he shot himself, Proenneke traces how he came to this remote area, selected a homestead site and built his log cabin completely by himself. The documentary covers his first year in-country, showing his day-to-day activities and the passing of the seasons as he sought to scratch out a living alone in the wilderness.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

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