Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we’re 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we’ve elected to do this remake thing our own way.

Tinto Brass – The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief. Fallo! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.

Two Christian hitmen brothers are hired to assassinate a famed atheist writer.

Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.

Set in a bustling bird city on the edge of the majestic Victoria Falls, “Zambezia” is the story of Kai – a naïve, but high-spirited young falcon who travels to the bird city of “Zambezia” where he discovers the truth about his origins and, in defending the city, learns how to be part of a community

With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.

There may not be any secrets in a small town, but there is an expectation of silence. In A Town Called Oil City, the return of a native son to announce his same sex wedding and help a gay teen who is being tormented at school offers a chance to change the way things have always been done.

In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

Through Lyonne’s surrealist eye, the lead character learns to reconcile with her Vaudevillian past in order to step into her life more fully. We witness Chastity’s journey through the eloquence of incoherence. It’s about the illusion of significance in a surreal, unjust and often unintelligible world, yet finding meaning within it and retaining a form of hope in despite of it. Chastity finds an uncompromising way of realizing reality is a kind of absurdity.

Recep and Nurullah decide to go village house, which is inherited from his grandma. Recep finds out the existence of a big project, that will damage the village and the surrounding forests. Villagers will fight against the project with Recep’s leadership.

Arthur Simon Simpson is a small-time crook biding his time in Greece. One of his potential victims turns out to be a gentleman thief planning to steal the emerald-encrusted dagger of the Mehmed II from Istanbul’s Topkapi Museum.