Detective Hazel Micallef hasn’t had much to worry about in the sleepy town of Port Dundas until a string of gruesome murders in the surrounding countryside brings her face to face with a serial killer driven by a higher calling.

On the run with the law on their trail, America’s most anguished vampire family heads to England to find an ancient vampire clan. What they find instead could tear their family, and their throats, apart forever.

A head chef balances multiple personal and professional crises at a popular restaurant in London.

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After their production “Princess Ida” meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to “The Mikado,” one of the duo’s greatest successes.

Based on a real WWII vet and family man turned bank robber. Disillusioned by his post war circumstances, Eddie Boyd is torn between the need to provide for his young family and an unfulfilled dream to head to Hollywood to become a star. He discovers a way to do both, robbing banks Hollywood style, but his dream leads him down a path of danger and tragedy.

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.

The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.

It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.

The non-fiction author Walter falls for the physics student Agnes. He is fascinated by her extreme attitude towards life and her reserved appearance, which is quite the opposite of his quiet and regular life. When Agnes encourages him to follow his passion for writing fiction, he starts to work on a book, a portrait of how he sees her.

The employees of a big-box discount retail store band together when contract workers are summarily laid off.

A woman tries to help her teenage daughter when she becomes the victim of online bullying.