The last thing Eddie Mills wants to do is go home to deal with his dying Dad. But the Catholic guilt gnaws at him, and he returns home to his crazy family, an overbearing step-mother, and his bear of a father. Once there, Eddie is confronted with a revelation that forces him to deal with the past he has always avoided.

Forced to work an extra shift, two young baristas must come to terms with their own relationship while being bombarded by the very different issues of their diverse customers.

Mr. Hoppy is a shy old man who lives alone in an apartment building. For many years, he has been secretly in love with Mrs. Silver, a woman who lives below him. Mr. Hoppy frequently leans over his balcony and exchanges polite conversation with Mrs. Silver, but he is too shy to disclose how he feels. Mr. Hoppy longs to express his feelings to Mrs. Silver, but he can never bring his lips to form the words. Mrs. Silver has a small pet tortoise, Alfie, whom she loves very much. One morning, Mrs. Silver mentions to Mr. Hoppy that even though she has had Alfie for many years, her pet has only grown a tiny bit and has gained only 3 ounces in weight. She confesses that she wishes she knew of some way to make her little Alfie grown into a larger, more dignified tortoise. Mr. Hoppy suddenly thinks of a way to give Mrs. Silver her wish and win her affection.

A darkly comedic travelogue of the underworld – set against an all-too-familiar urban backdrop of used car lots, gated communities, strip malls, and the U.S. Capitol. And populated with a contemporary cast of reprobates, including famous – and infamous – politicians, presidents, popes, pimps. And the Prince of Darkness himself.

As the youngest of the family, Sam is haunted by the notion that someday he could become the last remaining survivor, all alone. On a family vacation at the beach, he meets the unconventional Tess, who carries her own secrets around with her and shows him how the present moment can win out over memories and anxiety about what’s yet to come.

After rich businessman Paul Greco (popular daytime star Jon Lindstrom) retires early, his imperious sister Elise (two-time Emmy Award® nominee Wendie Malick) tries to get him to settle down with the woman of her choosing. But Paul seems more interested in developing his friendship with Andy (cutie Chris Murrah), a charming gay man he meets at a dog park.

Paula McFadden knows: In romance, actors all follow the same stage instruction: Exit. Without warning, her actor boyfriend split today for a movie role and sublet their Manhattan apartment. The new tenant’s name: Elliot Garfield. Profession: actor. Richard Dreyfuss and Marsha Mason deliver comedy, zingy repartee and bitter-to-best romance in The Goodbye Girl.

Recep gets a job and tries to find a wife to please his ailing grandmother.

unReal is for those of us who escape. A film that celebrates breaking free from the confines of reality and venturing into a boundless world. This place isn’t remote or hard to find, and yet many never see it. Here, glacial walls transform into mountain bike trails, rain and snow aren’t the only elements to fall from the sky and thousand pound mammals become riding partners. Breathtaking visuals conjure feelings of awe and pure joy; feelings that only those of us who venture outside can truly understand. This film is dedicated to you — the dreamers, the rule-breakers, the ones who never grow up, the ones who know the secret — the ones who know the way into the unReal world.

Set on computer screens and found footage style content, the movie follows six actors who decide to shoot their own horror movie as their hit TV show is on the brink of cancellation. In their search for a plot, they unintentionally summon a spirit with an affinity for violence, who starts picking them off one by one.

France asleep in the nineteenth century, governed by steam and Napoleon VI, where scientists vanish mysteriously, a girl, Avril, goes in search of her missing scientist parents.

As Zipper’s Clown Palace (a strip bar) closes, Neil wanders in and decides to hold the dancers, bartender, and remaining customers hostage. He torments them with little tasks he wants performed, playing on their weaknesses and relying on his gun for intimidation. Eventually the hostages begin formulating plans to thwart his control. Meanwhile, two policemen are observing the outside of the strip joint, realizing that something’s wrong and trying to decide if it’s worth ruining their buzz to intervene.