Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former’s parents, who have insisted their son take part in an arranged marriage to his boss’ daughter.

In coma for a decade, the twin So Yeon wakes finally up. But she can’t recall many things. Her other twin sister, Hyo Jin, died in the accident that led to So Yeon’s coma. Now that So Yeon has gained her consciousness back, strange things start to happen.

A stirring story about regret, love, and second chances, woven together in a vignette style. The story follows four women who sit at a crisis point in their lives–their desires clouded by fear, duty, tragedy, and regret. As each story unfolds, the characters struggle to find the courage to live for themselves, to reclaim the relationships they have lost along the way, and to make time for the things that really matter.

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Albert Nobbs struggles to survive in late 19th century Ireland, where women aren’t encouraged to be independent. Posing as a man, so she can work as a butler in Dublin’s most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.

Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.

Former getaway driver Charlie Bronson jeopardizes his Witness Protection Plan identity in order to help his girlfriend get to Los Angeles. The feds and Charlie’s former gang chase them on the road.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can’t seem to strike a balance or find direction in his chaotic life.

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In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?

The third installment of the Chihayafuru trilogy.