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A behind-the-scenes look at the popular boy band, Backstreet Boys.

Documentary telling the compelling story of the 40th Irish Dancing World Championships.

Three track star sisters face obstacles in life and in competition as they pursue Junior Olympic dreams in this extraordinary coming of age journey.

Trace the history of Hitler’s armored private train, a 15-car mobile headquarters boasting state-of-the-art communications and anti-aircraft cannons.

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From the makers of The Invisible War comes a startling expose of rape crimes on US campuses, their institutional cover-ups, and the devastating toll they take on students and their families. Weaving together verite footage and first person testimonies, the film follows the lives of several undergraduate assault survivors as they attempt to pursue – despite incredible push back, harassment and traumatic aftermath – both their education and justice.

This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.

An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.

SYMPATHY FOR THE DEVIL is an exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, “Sympathy For the Devil,” in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard is lucky enough to capture on film. Showing that rock and roll is more than just partying and goofing off, SYMPATHY FOR THE DEVIL is a brilliant portrait of the creative process at its most collaborative and arousing.

Filmmaker Alan Berliner documents his first cousin, the poet-translator Edwin Honig, as he succumbs to Alzheimer’s.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.