An ex-gangster who after being released from prison attempts to get on the straight and narrow. When that doesn’t work out, he is pulled back into crime, building his empire as a kingpin, only to have it taken away as fast as he gained it.

the story of two adolescents, Moni and Zhozho, who meet 17-year-old Zheni in 1943 and with whom both fell in love. The events that follow unfold while Bulgaria has to decide on the deportation of 11 343 Jewish citizens in Macedonia and Thrace.

Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

An “Urban American Graffiti” tale of choices, consequences, redemption and faith all woven into a gritty framework of tested relationships.

When her father dies, MacKenzie keeps his tradition of the town’s fundraising “The Reindeer Games” alive, but when high school crush Chase shows up and plays against her, the spark between them is undeniable.

As a filmmaker and his girlfriend return home from his movie premiere, smoldering tensions and painful revelations push them toward a romantic reckoning.

Marina, an upper-crust social worker with a doting husband and an enviable downtown apartment, is suddenly transformed into a bizarre twilight version of herself when she is raped by three policemen.

Bridget Jones is becoming uncomfortable in her relationship with Mark Darcy. Apart from discovering that he’s a conservative voter, she has to deal with a new boss, a strange contractor and the worst vacation of her life.

Patagonia narrates the journeys of two women – one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.

Seven years on from the events of Monsters, and the ‘Infected Zones’ have spread worldwide. Humans have been knocked off the top of the food chain, with disparate communities struggling for survival. American soldiers are being sent abroad to protect US interests from the Monsters, but the war is far from being won.

For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell’s tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.