An American photographer adrift in a remote Icelandic community becomes entangled in the lives of a mysterious European couple.

This is a story based on fact that follows a husband and wife who emigrate from Scotland to Wisconsin in the 1850’s. They work very hard and become welcome citizens of their new town, Eureka. They have six children. They prosper in the husband’s boat building business. But when their eldest is 12, tragedy strikes the family, and the 12-year old is burdened with a terrible task which he handles as well as any adult could.

Henry and Jack are two famous and talented pianists: they are rivals and try to outdo each other in the various music events where they regularly compete. The former friends will clash with no mercy, from contest to contest until the day a domestic robot, GLENN, enters their lives. GLENN will jeopardize everybody and everything around them.

When 22 year old Maggie suddenly collapses into a coma, the doctors diagnose her with a genetic kidney disease. Already in the end stage, she must receive a kidney transplant from a family member with a perfect match. Unknown to her and her siblings, Maggie was adopted from Mexico after she was kidnapped and sold to her wealthy family. With little time left, her adoptive mother must find her biological mother and persuade her to donate her kidney to save Maggie despite the tragedy of losing her daughter years ago. But can two families worlds apart save a dying young woman in her “end stage” without losing themselves, maybe even dying for her cause?

A small New Testament passes through the hands of fourteen strangers. For seven of the individuals, their lives will never be the same.

Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

“Listen: Billie Pilgrim has come unstuck in time.” Slaughterhouse-Five is an award-winning 1972 film adaptation of Kurt Vonnegut’s novel of the same name. Director Hill faithfully renders for the screen Vonnegut’s obsessive story of Pilgrim, who survives the 1945 firebombing of Dresden, then lives simultaneously in his past, present, and future.

A broken family finds their relationships to one another changed by a new arrival in the household.

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A marriage is put to the test when an interracial couple are forced to quarantine together through the Covid pandemic and ‘Black Lives Matter’ movement.

A cross-cultural romance and an intercultural friendship between Ram, Rosy and Anu goes through a roller coaster ride of love, laughter and misunderstandings.