A retelling of the events leading up to the crucifixion of Jesus Christ, based on the idea that he was a black man whose death was a racially motivated hate crime.

An ex-con struggling to readjust to life in his small town forms an intense bond with his former high-school teacher.

In a film based on actual events, teenagers Nathan Leopold Jr. (Craig Chester) and Richard Loeb (Daniel Schlachet) share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy. When the body is found, all evidence leads to Nathan and Richard, whose strange relationship makes the case one of the most talked-about trials of the 1920s.

Rai Bahadur lives a wealthy lifestyle in Panjim, Goa, along with three brothers, Raman, Kamal, and Ashok along with their respective wives and children. He also has a sister, Shanno, and a daughter, Rinki, who is of marriageable age. Since his business is not doing too well, he asks his US-based friend, Ranjit, for assistance. In response, Ranjit sends his son, Vikramjit, to assist Rai. Vikramjit arrives at the Rai household along with his Secretary and close friend, Veeru, and soon both get involved in assisting the Rai business get back on it’s feet. What Rai does not know is that Vikramjit & Veeru are not who they claim to be, but are actually Jai and Veeru, wanted by the Bombay Police and are on India’s Most Wanted Criminals. Watch what happens when their photos are telecast on National TV, and the impact this has on the entire Rai clan.

Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.

A lonely widower battles his family, ill health and time to win a competition for a golden ticket to space.

When a Harvard-educated CIA agent is killed during an operation, the secret agency recruits his twin brother.

This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.

Krishna (Nani) and Mahalakshmi (Mehreen) have been in love since childhood. But he is a coward and she is the sister of a local factionist.

Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.

Michelle and Marco Tol, a former pastor, meet at a party. They discuss what happened five years ago, when a scandal involving the pair erupted and disgraced Tol.

Dodger, a criminal monkey, belongs to a crooked street performer but escapes his life of crime only to end up in the arms of Eva, an innocent little girl whose mother has no idea that her daughter is harboring a fugitive.